In search of clues to the mystery of her father's death, 16-year-old Sally Lockhart ventures into the shadowy underworld of Victorian London. Pursued by villains at every turn, the intrepid Sally finally uncovers two dark mysteries, and realizes that she herself is the key to both.

Martin Chorley, aka the Faceless Man, wanted for multiple counts of murder, fraud and crimes against humanity, has been unmasked and is on the run. Peter Grant, Detective Constable and apprentice wizard, now plays a key role in an unprecedented joint operation to bring Chorley to justice. But even as the unwieldly might of the Metropolitan Police bears down on its foe, Peter uncovers clues that Chorley, far from being finished, is executing the final stages of a long-term plan.

Richard Mayhew is a young man with a good heart and an ordinary life, which is changed forever when he stops to help a girl he finds bleeding on a London sidewalk. His small act of kindness propels him into a world he never dreamed existed. There are people who fall through the cracks, and Richard has become one of them. And he must learn to survive in this city of shadows and darkness, monsters and saints, murderers and angels, if he is ever to return to the London that he knew.

The Greek myths are amongst the greatest stories ever told, passed down through millennia and inspiring writers and artists as varied as Shakespeare, Michelangelo, James Joyce and Walt Disney. They are embedded deeply in the traditions, tales and cultural DNA of the West. You'll fall in love with Zeus, marvel at the birth of Athena, wince at Cronus and Gaia's revenge on Ouranos, weep with King Midas and hunt with the beautiful and ferocious Artemis.

Rotherweird is a twisted, arcane murder-mystery with shades of Deborah Harkness, Hope Mirrlees and Ben Aaronovitch, Mervyn Peake and Edward Gorey at their disturbing best. The town of Rotherweird stands alone - there are no guidebooks, despite the fascinating and diverse architectural styles cramming the narrow streets, the avant-garde science and offbeat customs. Cast adrift from the rest of England by Elizabeth I, Rotherweird's independence is subject to one disturbing condition: nobody, but nobody, studies the town or its history.

My name is Peter Grant and until January I was just probationary constable in that mighty army for justice known to all right-thinking people as the Metropolitan Police Service (as the Filth to everybody else). My only concerns in life were how to avoid a transfer to the Case Progression Unit - we do paperwork so real coppers don't have to - and finding a way to climb into the panties of the outrageously perky WPC Leslie May.

'Somebody's going to be murdered at the ball tonight. It won't appear to be a murder, and so the murderer won't be caught. Rectify that injustice and I'll show you the way out.' It is meant to be a celebration, but it ends in tragedy. As fireworks explode overhead, Evelyn Hardcastle, the young and beautiful daughter of the house, is killed. But Evelyn will not die just once. Until Aiden - one of the guests summoned to Blackheath for the party - can solve her murder, the day will repeat itself over and over again.

Miryem is the daughter and granddaughter of moneylenders, but her father's inability to collect his debts has left his family on the edge of poverty - until Miryem takes matters into her own hands. Hardening her heart, the young woman sets out to claim what is owed and soon gains a reputation for being able to turn silver into gold. When an ill-advised boast draws the attention of the king of the Staryk - grim fey creatures who seem more ice than flesh - Miryem's fate, and that of two kingdoms, will be forever altered. 

When a baby escapes a murderer intent on killing the entire family, who would have thought it would find safety and security in the local graveyard? Brought up by the resident ghosts, ghouls and spectres, Bod has an eccentric childhood learning about life from the dead. But for Bod there is also the danger of the murderer still looking for him - after all, he is the last remaining member of the family.

A dark enchantment blights the land. Agnieszka loves her village, set deep in a peaceful valley. But the nearby enchanted forest casts a shadow over her home. Many have been lost to the Wood, and none returns unchanged. The villagers depend on an ageless wizard, the Dragon, to protect them from the forest's dark magic. However, his help comes at a terrible price. One young village woman must serve him for 10 years, leaving all she values behind.

This is the way the world ends...for the last time. It starts with the great red rift across the heart of the world, spewing ash that blots out the sun. It starts with death, with a murdered son and a missing daughter. It starts with betrayal, and long dormant wounds rising up to fester. This is the Stillness, a land long familiar with catastrophe, where the power of the earth is wielded as a weapon. And where there is no mercy.

Lady Emily Hardcastle is an eccentric widow with a secret past. Florence Armstrong, her maid and confidante, is an expert in martial arts. The year is 1908 and they've just moved from London to the country, hoping for a quiet life. But it is not long before Lady Hardcastle is forced out of her self-imposed retirement. There's a dead body in the woods, and the police are on the wrong scent. Lady Hardcastle makes some enquiries of her own, and it seems she knows a surprising amount about crime investigation...

When editor Susan Ryeland is given the tattered manuscript of Alan Conway's latest novel, she has little idea it will change her life. She's worked with the revered crime writer for years, and his detective, Atticus Pund, is renowned for solving crimes in the sleepy English villages of the 1950s. As Susan knows only too well, vintage crime sells handsomely. It's just a shame that it means dealing with an author like Alan Conway.... But Conway's latest tale of murder at Pye Hall is not quite what it seems.

Jackman’s sister-in-law Sarah disappears to London and throws herself into the river. What drove her to this? She was a woman with a seemingly happy home life and two beloved sons. DI Jackman and DI Evans dig into Sarah’s life. And Jackman realises he knew almost nothing about his sister-in-law’s past. Then, they discover a woman in a neighbouring village died in similar circumstances. What is the connection to a convicted murderer whose family are convinced he is innocent? Who is really pulling the strings?

DCI Nelson has been receiving threatening letters telling him to 'go to the stone circle and rescue the innocent who is buried there'. He is shaken, not only because children are very much on his mind, with Michelle's baby due to be born, but because although the letters are anonymous, they are somehow familiar. They read like the letters that first drew him into the case of The Crossing Places, and to Ruth. But the author of those letters is dead....