Country Girl
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Edna O’Brien
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Edna O'Brien
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The iconic memoir from the beloved Irish author of the legendary The Country Girls trilogy.
'Get ready to applaud, ladies and gentlemen, because there is no one like her.' Anne Enright
'One of the last great lights of the golden age of Irish literature.' Eimear McBride
'Glittering energy.' Colm Tóibín
I thought of life's many bounties, to have known the extremities of joy and sorrow, love, crossed love and unrequited love, success and failure, fame and slaughter ...
Born in Ireland in 1930 and driven into exile after publication of her controversial first novel, The Country Girls, was burned in public, Edna O'Brien is now hailed as one of the most majestic writers of her era - and Country Girl is her fabulous memoir.
Born in rural Ireland, O'Brien weaves the tale of her life from convent school to elopement, divorce, single-motherhood, moving on to the wild parties of 1960s bohemian in London, encounters with Hollywood giants, pop stars, and literary titans, love and unrequited love, and glamorous trips to America as a celebrity writer.
Country Girl is a rich and heady accounting of the events, people, emotions, and landscape that have forged a legendary author. O'Brien recasts her life with the imaginative alchemy of a poet, and the result is a memoir of sparkling wisdom and honesty.
Kritikerstimmen
“Her autobiography does more than recount the path-breaking life of a pioneer of Irish literature, and of women's fiction, who not only reflected change in her native land but helped to drive it forward. It is, above all, a portrait of the artist - and a record of her struggle to remain one, ever since the young pharmacist from rural County Clare, then miserably married and exiled in suburban Wimbledon, read TS Eliot's Introducing James Joyce and found that it lit a flame in her.” (Boyd Tonkin from the Independent interview)
“It is, in its many parts, full of the O'Brien enchantments: the lushness about nature; the delicate balance of rapture and rupture in recapturing the experience of love; the feminine eye for clothes; the true ear for a story; the sharpness of specific recollections...the entire narrative leaves you with an enchanted feeling of having been drawn into a life of great internal richness.” (Mary Kenny, Irish Independent)
“When an acclaimed writer and flamboyant character such as Edna O’Brien pens a memoir, we have the delicious prospect of reading the story of a life well lived, well told... Country Girl is a terrific, gripping read... It is easily forgotten that at the time O’Brien started out writing, very few women had established themselves as career novelists. O’Brien had to look within, to her own experience and feeling, creating a distinct style. With radical perception she wrote of her time, capturing the essence of a generation...perhaps now, on its publication, is the time for a proper reassessment of Edna O’Brien as one of the great creative writers of her generation.” (Mary Robinson, Irish Times)
“Wonderful, crystalline and true... O'Brien is one of the last writers we have whose prose contains deep within it the cadences of the Bible and the liturgy and this gives the book a certain weight; I read it almost with a sense of mourning.” (Rachel Cooke, Observer)
“Edna O’Brien is a bewitching and remarkable talent... words, as she reveals in this exemplary memoir, have defined her entire life... O’Brien’s evocation of the Ireland of her childhood is, as might be expected, delicately excoriating and deftly comic... O’Brien’s life reverberates with literary references, and it is her pin-prick sharpness and the fact that she is always 'drawn into the wild heart of things' that makes both her and this book so alluring.” (Helen Davies, Sunday Times)
2. Edna O'Brien spricht ihre Autobiogaphie selbst. Das hat einen gewissen Charme. Allerdings ist sie - nicht nur wegen des sehr deutlichen Akzents - nicht die ideale Vorleserin, Wenn ich die Wahl gehabt hätte, wäre meine Entscheidung wegen des Charmes vielleicht dennoch zugunsten der Autorin als Vorleserin ausgefallen.
3. Die Autorin wirkt sehr ehrlich. Sie stellt sich in mehreren Situationen allerdings als fast bestürzend gedankenlos (dumm?) dar. Das bleibt unreflektiert und ein wenig verstörend.
Sie hat sicher viele interessante, vor allem berühmte, Menschen kennen gelernt. Man hat aber zeitweise den Eindruck, dass sie fast zwangsweise auch jeden erwähnen muss. Manche dieser Erwähnungen bleiben dann sehr kurz und banal. Insgesamt ist Reflektion, jedenfalls in diesem Buch, nicht ihre Stärke.
Ich habe nicht bereut, das Buch gehört zu haben. Meine Erwartungen wurden nicht ganz erreicht.
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