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All My Yesterdays

The Autobiography of Steve Howe

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All My Yesterdays

Von: Steve Howe
Gesprochen von: Simon Vance
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Über diesen Titel

Renowned guitarist Steve Howe tells his own story in his own words, often unflinchingly as he recounts times of triumph and torment amidst the cream of the UK's prog rock bands.

Best known for his work with Yes, a group prone to sudden upheavals, and AOR supergroup Asia, Steve Howe's passage through these and other bands is a roller coaster ride of constant touring, tense recording sessions, and frequent trips to all corners of the globe. A workaholic, he soon realized that the temptations of the rock 'n' roll lifestyle weren't for him and instead dedicated his life to excellence in musicianship.

Born in North London in 1947, Steve got his first guitar at the age of 12 and thereafter devoted himself passionately to mastering its intricacies. After spells in psychedelic bands of the late '60s, he was invited to join Yes in 1970, thus finding himself in a spotlight that shines to this day. In the meantime, he raised a family, adopted vegetarianism as a lifestyle, and watched as many of his peers succumbed to the impulses he managed to avoid. As well as Yes and Asia, Steve has led bands of his own, released numerous solo recordings in many different musical styles, and amassed a legendary collection of priceless stringed instruments.

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As a casual fan of Steve’s music I decided to listen to the book, in order to hear all the stories and anecdotes from the horse’s mouth. I was disappointed.
As a fan of Alan Partridge, I found this book to be so much like I, Alan Partridge, with Steve’s little asides and recommendations.

Interesting for music fans

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I'm currently making my way through Steve's Autobiography, and with each chapter, it becomes more challenging to stay engaged. The constant stream of calendar dates is tiresome (to put it mildly), making it more and more difficult to focus on the essential details.

What's particularly disappointing is Howe's tendency to air grievances without ever reflecting on his own actions. He consistently portrays himself as faultless, while eagerly highlighting others' shortcomings or trivial issues, like still complaining about his vocals being in a mix. He seems oblivious to the fact that he really is not a good singer but never admits to that once.

This bitterness permeates the narrative and detracts from its enjoyment. At times, some of Howe‘s comment can only be described as viscous. His self-importance is most obvious at the beginning where he feels the need to recite his whole Rock‘n‘Roll-Hall of Fame speech in this book as if to underline his self-importance (unnecessary: those who are interested will already know it from YouTube).


The book's lack of transparency regarding certain events, like those surrounding ABWH, is frustrating, especially considering Howe's prior openness. Additionally, his omission of his involvement in the Peter Banks incident during the UNION Tour is glaring. It's reminiscent of Jimmy Page's unwavering belief that Phil Collins ruined Led Zeppelin's Live Aid performance—an example of Howe's inability to self-reflect. Not a shred of self-criticism. A little introspection is offered when talking about his family.

Every artistic endeavor requires a guiding hand; any song or album needs some kind of producer, just as every good book needs an editor. Howe's approach to going it alone seems to stem more from ego than artistic vision. In contrast to the warmth and humility of Pete Townshend's biography, or Geddy Lee’s! Howe's memoir lacks moments of genuine reflection or gratitude—no moments of joy, no flickers of light. And in that, Howe utterly fails at something he prides himself on: being professional!

Overall, while the book has its merits, particularly for fans, it falls short in delivering a balanced and engaging narrative.
This (audio)book is a great example how not to do it! Howe really needs to get over himself.

Just terrible & unbearable

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I love Steve and everything he's done for music.
The band Yes, which he has always been a key part of, will forever influence my perception of music.

in spite of this I have to say that this Autobiography is horrible. Steve lists every event, every concert or recording he can think of and reads it as if he was reading numbers from a spread sheet.
If you are a Steve and Yes fan you may be able to get through some of it just for the knowledge you want to get to.
But even then at some point your brain will stop paying attention because of the insane repetitiveness that does not end.

Terrible! ...sorry Steve.

Incredible life and awfull narration

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