Bald bei Audible

From the ruins of Persepolis to lawless outposts of the crumbling Ottoman Empire, The Mesopotamian Riddle whisks you on a wild adventure through the golden age of archaeology in an epic quest to understand our past.

In How to Fit All of Ancient Greece in an Elevator, acclaimed archaeologist Theodore Papakostas takes the listener on a spectacularly iconoclastic and hugely engrossing journey through Ancient Greece, from its beginnings in prehistory to its end. Marvelling at the exalted moments in Ancient Greek history as well as the more mundane, Papakostas introduces the listener to countless fascinating stories about the cradle of western civilization – many of which upend received wisdom about the empire as well as about archaeology itself.

At the height of its power, this lush region was encircled by two great rivers, the Tigris and the Euphrates. Over the course of thousands of years, Mesopotamia saw the world's first cities, the first writing system, the early seeds of agriculture, the development of myths, medicine, literature and astronomy that all went on to influence societies around the world.

In this gripping retelling of one of the most momentous chapters in history, Nick Holmes presents a new interpretation of an old story. The fate of Rome was decided not just by emperors, soldiers, and barbarians but also by an environmental disaster. A catastrophic megadrought on the Asian steppes in the fourth century AD forced the migration of entire peoples—Huns, Goths, Vandals, and others—west into the Roman Empire. They met an empire weakened from war with Persia. Rome's misfortunes multiplied as it made tactical errors on the battlefield.

Across the centuries, we journey from the great empires of Mesopotamia to those of Khmer and Vijayanagara in Asia and Songhai in West Africa; from Byzantium to the Maya, Inca and Aztecs of Central America; from Roman Britain to Rapa Nui. With meticulous research, breathtaking insight and dazzling, empathic storytelling, historian and novelist Paul Cooper evokes the majesty and jeopardy of these ancient civilizations, and asks what it might have felt like for a person alive at the time to witness the end of their world.

The ancient Roman empire was the supreme arena, where emperors had no choice but to fight, to thrill, to dazzle. To rule as a Caesar was to stand as an actor upon the great stage of the world. No biography invites us into the lives of the Caesars more vividly or intimately than that by Gaius Suetonius Tranquillus, written from the centre of Rome and power, in AD 121. Placing each Caesar in the context of the generations that had gone before, and connecting personality with policy, Suetonius injected flesh and blood into their stories.

Ever since the Greek and Roman historians speculated on the seemingly ever-growing violence and greed of the world, metal has been to blame. We have gone from a “golden age” of peace and shared plenty, to an “iron age of bloodshed and conquest”—and beyond. Today, according to geologist Shefa Siegel, we are threatened not by metal, but by its absence. Metal that once lay close enough to the surface of the earth so that primitive miners could more or less chip off what they needed is now so scarce that entire landscapes are pulverized to extract a fine dust of precious, powdered ore.

Western civilization is generally regarded as the child of Athens, Jerusalem, and Rome. That is, in the West, our philosophical and political thought is derived from that of the ancient Greeks; our Christian religion comes from the Jewish religion, and both of these came to us via the Roman Empire.

Imagine a Viking, and a certain image springs to mind: a nameless, faceless warrior, leaping ashore from a longboat, and ready to terrorise the hapless local population of a northern European country. Yet while such characters define the Viking Age today, they were in the minority. This is the history of all the other people - children, enslaved people, seers, artisans, travellers, writers - who inhabited the medieval Nordic world. For the first time, you can immerse yourself in the day-to-day lives of extraordinary culture which spanned centuries.

The study of ancient Greek history has been central to the western conception of history since the Renaissance. The Muse of History traces the shifting patterns of this preoccupation in the last three centuries, in which each generation has reinterpreted the Greeks in the light of their contemporary world, through times of revolution, conflicting ideologies and warfare. It aims to offer a new history of Greek historiography from the Enlightenment to the present, and to acknowledge the continuing spiritual importance of the ancient Greeks for European culture.

Around four thousand years ago, the mysterious Minoans sculpted statues of topless women with snakes slithering on their arms. Over one thousand years later, Sappho wrote great poems of longing and desire. For classicist Daisy Dunn, these women—whether they were simply sitting at their looms at home or participating in the highest echelons of power—were up to something much more interesting than other histories would lead us to believe. Together, these women helped to make antiquity as we know it.

Immediate, visceral, and full of new analyses that defy decades of conventional wisdom, The First Clash is a superb interpretation of a conflict that indeed made the world safe for Aristotle, Plato, and our own modern democracy. But it was also a battle whose legacy and lessons have often been misunderstood—perhaps, now more than ever, at our own peril.

By 330 B.C.E., Alexander the Great had reached the pinnacle of success. Or so it seemed. He had defeated the Persian ruler Darius III and seized the capital city of Persepolis. His exhausted and traumatized soldiers were ready to return home to Macedonia. Yet Alexander had other plans. He was determined to continue heading east to Afghanistan in search of his ultimate goal: to reach the end of the world.