The Iliad
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The Iliad
Berättare:
Derek Jacobi, Maria Tucci
Köp för 14,73 €
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Berättare:
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Derek Jacobi
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Maria Tucci
Combining the skills of a poet and scholar, Robert Fagles brings the energy of contemporary language to this enduring heroic epic. He maintains the drive and metric music of Homer’s poetry, and evokes the impact and nuance of the Iliad’s mesmerizing repeated phrases in what Peter Levi calls “an astonishing performance.”
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Kritikerröster
“Fitzgerald has solved virtually every problem that has plagued translators of Homer. The narrative runs, the dialogue speaks, the military action is clear, and the repetitive epithets become useful text rather than exotic relics.” –Atlantic Monthly
“Fitzgerald’ s swift rhythms, bright images, and superb English make Homer live as never before…This is for every reader in our time and possibly for all time.”–Library Journal
“[Fitzgerald’ s Odyssey and Iliad] open up once more the unique greatness of Homer’s art at the level above the formula; yet at the same time they do not neglect the brilliant texture of Homeric verse at the level of the line and the phrase.” –The Yale Review
“What an age can read in Homer, what its translators can manage to say in his presence, is one gauge of its morale, one index to its system of exultations and reticences. The supple, the iridescent, the ironic, these modes are among our strengths, and among Mr. Fitzgerald’s.” –National Review
With an Introduction by Gregory Nagy
“Fitzgerald’ s swift rhythms, bright images, and superb English make Homer live as never before…This is for every reader in our time and possibly for all time.”–Library Journal
“[Fitzgerald’ s Odyssey and Iliad] open up once more the unique greatness of Homer’s art at the level above the formula; yet at the same time they do not neglect the brilliant texture of Homeric verse at the level of the line and the phrase.” –The Yale Review
“What an age can read in Homer, what its translators can manage to say in his presence, is one gauge of its morale, one index to its system of exultations and reticences. The supple, the iridescent, the ironic, these modes are among our strengths, and among Mr. Fitzgerald’s.” –National Review
With an Introduction by Gregory Nagy
Great performance, but not complete
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