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The unabridged, digital audiobook edition of "The Great Automatic Grammatizator", a short, sharp, chilling story from Roald Dahl, the master of the shocking tale, read by the writer Will Self. In "The Great Automatic Grammatizator", Roald Dahl, one of the world's favourite authors, tells a sinister story about the darker side of human nature. Here, a powerful computer designed to help people starts to supplant them....

What if a demented London cabbie called Dave Rudman wrote a book to his estranged son to give him some fatherly advice? What if that book was buried in Hampstead and hundreds of years later, when rising sea levels have put London underwater, spawned a religion? What if one man decided to question life according to Dave? And what if Dave had indeed made a mistake?

From one of the most unusual and distinctive writers working today, Will Self’s Why Read is a cornucopia of thoughtful and brilliantly witty essays on writing and literature.

From one of the most unusual and distinctive writers working today, dubbed 'the most daring and delightful novelist of his generation' by the Guardian, Will Self's Why Read is a cornucopia of thoughtful and brilliantly witty essays on writing and literature.

This collection brings together history, science, philosophy and comedy to explore our age-old search for meaning. We live in an age of self-improvement and self-examination - lifehacking, wellbeing, self-care, mindfulness retreats - but this seemingly very modern phenomenon is a pursuit that dates back for millennia.

Will Self reads from his introduction to Revelation, the final book of the Bible, which prophesises the ultimate judgement of mankind in a series of allegorical visions, grisly images, and numerological predictions. According to these, empires will fall, the 'Beast' will be destroyed, and Christ will rule a new Jerusalem. The introduction is preceded by a reading from the book by Richard Holloway, former Bishop of Edinburgh.

Will Self is one of Britain's best-known contemporary writers, a public intellectual whose novels have been shortlisted for the Booker Prize and translated into over 20 languages. In Will, his first-ever memoir, he turns his attention fully to his own self, and in particular his addictions as a young man. An addiction memoir like no other, Will echoes the best of Self's psychedelic fiction, and is one of the most eloquent depictions of the allure of hard drugs ever written.

Will Self takes a 1,000-mile tour of the UK by bus and coach, exploring urban Britain and British identity at a time of flux. Bus and coach windows afford him a different perspective on the nation. He eschews the bright lights of the big cities, heading instead for smaller urban centres. His objective is to speak to Britons about how they view their cities and themselves in 2018. Over 10 programmes, Will's trip takes him to Plymouth, Swansea, West Bromwich, Wolverhampton, Preston, Middlesbrough, East Kilbride and Derry-Londonderry.

Will Self is the author of many novels and books of non-fiction, including Great Apes, The Book of Dave, How the Dead Live, which was shortlisted for the Whitbread Novel of the Year 2002, The Butt, winner of the Bollinger Everyman Wodehouse Prize for Comic Fiction 2008, Umbrella, which was shortlisted for the Booker Prize 2012, and Shark. His most recent novel, Phone, was shortlisted for the Goldsmiths Prize. He lives in south London.

Shiva Mukti is a hardworking and conscientious psychiatrist, who, in the inauspicious surroundings of St Mungo's - a central London hospital of more than average decrepitude - does his level best to staunch the flow of mental illness. But Mukti is not a happy man; beset by thwarted ambition and sexual frustration, he now finds himself in thrall to the more successful and urbane Dr Zack Busner, consultant psychiatrist at Heath Hospital, and an originator of the once modish Quantity Theory of Insanity.

The fictional world of Will Self is unlike any other. Learn, amongst other things, the dark and terrible secret of Ward 9, why you are right to think that London is full of dead people and that each and every human being is caught up in a colossal balancing act between the sane and the insane. Acerbic, satirical, hilarious and, most of all, utterly unique in imaginative vision.