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Yearbook is a collection of true stories that I desperately hope are just funny at worst, and life-changingly amazing at best. (I understand that it's likely the former, which is a fancy 'book' way of saying 'the first one.') I talk about my grandparents, doing stand-up comedy as a teenager, bar mitzvahs and Jewish summer camp, and tell way more stories about doing drugs than my mother would like. I also talk about some of my adventures in Los Angeles, and surely say things about other famous people that will create a wildly awkward conversation for me at a party one day.

Winner of the 2009 Tony Award®, God of Carnage is a brash and hilarious exploration of human nature. After one 11-year-old is hit by another, their parents meet to find a mature resolution. As the evening wears on, the veneer of civility degenerates. What begins as protective parenting ends as an excuse to let loose the primordial beast buried in each of us.

After Vladimir Lenin’s death, Stalin orders two Jewish scientists to preserve Lenin’s body for all time. If they succeed, the rewards will be considerable. If not, it’s the gulag - or worse. Based on real events, Vern Theissen’s nimble dark comedy exposes the absurdities of Soviet life under Stalin.

Shakespeare combined his love of theater with Greek mythology and the supernatural to create what is arguably his most playfully imaginative work. From love potions to bizarre transformations to the unforgettable play-within-a-play, A Midsummer Night’s Dream is a non-stop delight, and remains one of the milestones of the Bard’s canon.

With the premiere of two new film versions of the Snow White tale, Blackstone enters the fray with its own adult, edgy, and not altogether serious full-cast exposé of fairy-taledom. At last it can be told! Was Snow White really as pure as the driven snow? Did her allegedly wicked stepmother get a bum rap from the Grimm brothers? What went on behind the closed Dutch doors of the dwarves’ cottage? How many handsome princes does it take to screw in a light bulb?

A coming-of-age, coming-out cocktail with a twist of terror. Thirteen-year-old Franklin Robertson is trying to survive adolescence. His parents don’t understand him, his brother torments him, he has no friends, and he’s more interested in the high school quarterback than any girl. The one bright spot in his life is the glow of the black-and-white TV in his parents’ basement.....