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Fresh off the success of her groundbreaking first play, A Raisin in the Sun, Lorraine Hansberry's The Sign in Sidney Brustein's Window tells the tragicomic story of a young bohemian couple in New York's Greenwich Village, struggling to do what's right in a world that rewards everything that's wrong. Sidney is a dreamer who wants his own Walden Pond; Iris is a budding actress whose own backstory is a performance. They're caught in a moment where, "the world is about to crack right down the middle," as the play tackles racism, sexism, antisemitism, homophobia, liberal complacency, and more.

Imagine a 1980s world of sumptuous hotel rooms, restaurants, New York City penthouses, and the powerful men who move easily between these pinnacles of luxury. They are music producers, rock stars, writers, and restaurateurs. They are household names like Billy Joel, Art Garfunkel, Eric Clapton, and Sting. And yet, each man has an entire aspect to his life that he doesn’t talk about publicly—his depression, his rocky marriage, his feelings of shame and failure, his private loss of faith. And now: The phone rings. Imagine the woman who has each of these men at her beck and call.