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The dramatic nature of Plato’s dialogues is delightfully evident in the "Symposium." The marriage between character and thought bursts forth as the guests gather at Agathon's house to celebrate the success of his first tragedy. With wit and insight, they each present their ideas about love - from Erixymachus’s scientific naturalism to Aristophanes' comic fantasy. The unexpected arrival of Alcibiades breaks the spell cast by Diotima’s ethereal climb up the staircase of love to beauty itself.

Socrates is in prison, sentenced to die when the sun sets. In this final conversation, he asks what will become of him once he drinks the poison prescribed for his execution. Socrates and his friends examine several arguments designed to prove that the soul is immortal. This quest leads him to the broader topic of the nature of mind and its connection not only to human existence but also to the cosmos itself. What could be a better way to pass the time between now and the sunset? Plato lived in Athens, Greece.

Darcy and Bingley depart Netherfield Park, leaving Elizabeth Bennet acutely aware of the monotony of her life. Seeking a reprieve, she volunteers to serve as temporary companion to Mrs. Gardiner’s elderly aunt who lives in Lambton. Nothing turns out as Elizabeth expects, and she is forced to dig deep into her reserves of common sense, humor, and stubborn persistence to prove herself equal to the dreary circumstances.

Celebrating the 100th anniversary of the first issues of Weird Tales Magazine, 100 Years of Weird is a masterful compendium of new and classic stories, flash fiction, essays, and poems from the giants of speculative fiction, including R. L. Stine, Laurell K. Hamilton, Ray Bradbury, H. P...

Discover who you are in Christ! “You will know the Truth, and the Truth will set you free.” John 8:32 It’s Jesus’ promise to you—the promise that you will live triumphantly. But what keeps you from really walking in the joy of the Lord? The powers of darkness attack you daily. But, as...

This anthology, with an introduction by Robert Silverberg, offers a sweeping survey of robots as depicted throughout literature. Since the Iliad—in which we are shown golden statues built by Hephaestus “with minds and wisdoms”—humans have been fascinated by the idea of artificial life. From the Argonautica to the medieval Jewish legend of the Golem and Ambrose Bierce’s tale of a chess-playing robot, the idea of what robots are—and who creates them—can be drastically different.

Gorgias of Leontini, a famous teacher of rhetoric, has come to Athens to recruit students, promising to teach them how to become leaders in politics and business. A group has gathered at Callicles' house to hear Gorgias demonstrate the power of his art. This dialogue blends comic and serious discussion of the best life, providing a penetrating examination of ethics. Is it better to suffer evil or to do evil? Is it better to do something wrong and avoid being caught or to be caught and punished? Is pleasure the same as goodness?

The first issue in the second century of Weird Tales features a new HELLBOY story by Mike Mignola and Christopher Golden. Editor Jonathan Maberry has built a collection of cosmic horror that will destabilize your worldview.

The stories in this anthology range from quietly strange to ambitiously speculative. Humans transform into cosmic energy or sentient algae. A man wakes up in a new body in a world with continents cut out, months absent from the calendar year, and souls misplaced. Students at a high school regularly vanish without a trace. A woman descends into the depths of the ocean and encounters all-knowing creatures who may have the answers to her deepest questions.

A man, tiring of an astronomy lecture, takes a walk in the mystical night air to renew his sense of purpose.

The "Republic" poses questions that endure: What is justice? What form of community fosters the best possible life for human beings? What is the nature and destiny of the soul? What form of education provides the best leaders for a good republic? What are the various forms of poetry and the other arts, which ones should be fostered, and which ones should be discouraged? How does knowing differ from believing? Several characters in the dialogue present a variety of tempting answers to those questions. Cephalus, Polemarchus, Thrasymachus, and Glaucon all offer definitions of justice.