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Why the ongoing fascination with the ancient world? This witty, approachable book asks why—for better or (sometimes) worse—antiquity continues to exert such a powerful hold on the contemporary imagination. Recalling a formative childhood encounter with a four-thousand-year-old piece of bread in a museum, Beard introduces the idea of thauma, or wonder, that kick-started a lifetime engaging with classics.

Emperor of Rome is not your usual chronological account of Roman rulers, one after another: the mad Caligula, the monster Nero, the philosopher Marcus Aurelius. Beard asks bigger questions: What power did emperors actually have? Was the Roman palace really so bloodstained? Emperor of Rome goes directly to the heart of Roman (and our own) fantasies about what it was to be Roman, offering an account of Roman history as it has never been presented before.

What does the face of power look like? Who gets commemorated in art and why? And how do we react to statues of politicians we deplore? In this book - against a background of today’s “sculpture wars” - Mary Beard tells the story of how for more than two millennia portraits of the rich, powerful, and famous in the Western world have been shaped by the image of Roman emperors, especially the “Twelve Caesars”, from the ruthless Julius Caesar to the fly-torturing Domitian.

FROM THE BESTSELLING AUTHOR OF EMPEROR OF ROME AND SPQR 'The rock star scholar of Ancient Rome' FINANCIAL TIMES 'The reigning Queen of Classics' SPECTATOR What's exciting about a piece of bread 4,000 years old? Or some pots of paint abandoned in the eruption at Pompeii? Why should we be bothered...

New York Times Bestseller One of the Guardian's "100 Best Books of the 21st Century" — "A modern feminist classic." From the internationally acclaimed classicist and New York Times best-selling author comes this timely manifesto on women and power. At long last, Mary Beard addresses in one...

Britain's best known classicist, Mary Beard, is also a committed and vocal feminist. In Women & Power she revisits the gender agenda and shows how history has treated powerful women, using examples ranging from the classical world to the modern day. Beard explores the cultural underpinnings of misogyny, considering the public voice of women, our cultural assumptions about women's relationship with power and how powerful women resist being packaged into a male template.

From prehistoric Mexico to modern Istanbul, Mary Beard looks beyond the familiar canon of Western imagery to explore the history of art, religion, and humanity. Conceived as an accompaniment to How Do We Look and The Eye of Faith, the famed Civilizations shows on PBS, renowned classicist Mary Beard has created this elegant volume on how we have looked at art.

The idea of 'civilisation' has always been debated, even fought over. At the heart of those debates lies the big question of how people - from prehistory to the present day - have depicted themselves and others, both human and divine. Distinguished historian Mary Beard explores how art has shaped, and been shaped by, the people who created it. How have we looked at these images? Why have they sometimes been so contentious?