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Spring Bureau Sorceress and Weaving Master Fahng has returned from her quest through the Jade Emperor’s Skyland. The threat of Jōshwee hangs over the Dukedom of Morning Song, and she looks for ways to use the magic of the Pipes of Kunlun in the city’s defense.

China’s most outrageous character—the magical Monkey who battles a hundred monsters—returns to the fray in this seventeenth-century sequel to the Buddhist novel Journey to the West. In The Tower of Myriad Mirrors, he defends his claim to enlightenment against a villain who induces hallucinations that take Monkey into the past, to heaven and hell, and even through a sex change. The villain turns out to be the personification of his own desires, aroused by his penetration of a female adversary’s body in Journey to the West.

Edna St. Vincent Millay’s popular one-act play is back as a musical in Aria Da Capo (Da Capo Con Musica). Songwriter, L. J. Schulz brings Millay’s evocation of the post-World War I spiritual "wasteland" up to the moment with a score in rock, folk, gospel, and show-tune styles.

Sold to a master weaver, a thirteen-year old apprentice called Fahng must divine the meaning of a “sampler” made of strings and bamboo to continue with her weaving sisterhood. Encoded in a forgotten language of knotted Patterns, the sampler is The Weaving Maiden's Mystery. Aided by clues from weaving lore and her master’s training in martial arts, dance, and fortune telling, Fahng discovers the guild’s wisdom and its closely guarded technique for making an exquisite gauze fabric. Her visionary talents lead her to become a weaving master in her own right.