Ergebnis gesprochen von "Katy Maw" in Alle Kategorien

This collection brings together three terrifying thrillers set in 41st Millennium. Because, in the grim darkness of the far future, the real horrors lie much closer to home...See the 41st Millennium in a different light with three psychological thrillers from the Warhammer Horror imprint. From murderous, semi-sentient machines to a zombie apocalypse, it's the Imperium as you've never seen it before.

Constantin Valdor. It is a name that brings forth images of heroism, honour and peerless duty. For it is he who commands the will of the Legio Custodes that most esteemed and dedicated cadre of elite warriors. He is the Emperor’s sword, His shield, His banner and he knows no equal. Clad in shining auramite, his fist clenched around the haft of his Guardian Spear, he is the bulwark against all enemies of the throne, within or without. Nearing the end of the wars of Unity, Valdor’s courage and purpose is put to the test as never before.

With the death of Ruprekt Matkosen, his daughter, Ashielle, is now the Lord Governor of Ceocan. Her father’s murderers still lurk in the shadows, threatening not only her rule but every mortal soul under her protection. Even her own people cannot be trusted - any one of them may be part of the poisonous plot to destroy her bloodline. Deep beneath the palace, locked away from all human contact, Ashielle finds a weapon unlike any other: a monster, more adept at hunting in the darkness than any assassin.

Featuring work by M. R. James, Edith Nesbit, Oscar Wilde, Gertrude Atherton and many more, this enhanced audio collection of eight enduring stories - some well-known, others less familiar - transport you to a candlelit fireside to hear tales of lonely coastlines, deadly rivers, dark, creaking corridors, horrific, everlasting love and unknown entities lurking in black velvet shadows.

Weigall remembers talking with Wyatt about the soul and afterlife. Wyatt states, 'If I had my way, I should stay inside my bones until the coffin had gone into its niche, that I might obviate for my poor old comrade the tragic impersonality of death.' The characters wonder about death and the destination of the human soul when it occurs. Weigall does not believe that the marshy bog, the Strid, has taken his friend, but when he sees a hand raised above the surface of the water, he knows it must be him and he desperately and quickly saves him.

In the story, a young, scientifically minded college professor finds an old bronze whistle while exploring the ruins of a Knights Templars' preceptory. That night, he blows on the whistle and a vision comes to him of a dark expanse with a lonely figure in its midst. The sound also appears to call up a gust of wind, but the sensible professor dismisses it as a coincidence. More strange incidents follow, however, to shake his disbelief in the supernatural.