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At the Harvard-Yale crew race, three Runyonesque characters place a bet at some very nice odds.

Damon Runyon Theater is an American TV program that aired in 1955 and 1956. It presented dramatized versions of Damon Runyon's short stories. In this episode, Spider McCoy invites Broadway to travel to Philadelphia, where Pigsfoot Grudy is going to fight Chester Nubs. Along comes a bad appendix and Caswell Fish, also known as "The Leopard Kid".

Damon Runyon Theater is an American TV program that aired in 1955 and 1956. It presented dramatized versions of Damon Runyon's short stories. In this episode, "Broadway" and a pal bring a broken down old horse back to Kentucky. Starring John Brown.

Damon Runyon Theater is an American TV program that aired in 1955 and 1956. It presented dramatized versions of Damon Runyon's short stories. In this episode, Hi-C Homer and Broadway find themselves at a barbecue stand during a Florida storm. An ex-wife, two bad guys, and $50,000 in cash make a good barbecue sauce! Starring John Brown and Frank Gallop (announcer).

For gamblers, burlesque queens, murderers and innocents, comedy and tragedy were found in equal measure on the streets of Damon Runyon's Manhattan. Runyon, one of the most popular and widely-read figures of the Golden Age of the American Short Story, found his work was cut to measure for success in the most verbal medium of all: Radio drama. John Brown stars as the glib Broadway, whose scene-setting brings a distinctive unifying touch to these fourteen digitally remastered episodes of the classic Damon Runyon Theatre radio series.

Family life in wartime America could be fun - if you had a sense of humor! Here's William Bendix as the clamorous-yet-caring father and "revoltin'" riveter Chester A. Riley, who always seemed to end up on the silly side of things! Through 16 digitally restored and remastered episodes from 1944, Riley cozies up to the boss, competes with the neighbors, and causes all manner of comic calamity.

William Bendix stars as Chester A. Riley in producer Irving Brecher's outstanding radio comedy series The Life of Riley. Co-starring with Bendix is Paula Winslowe as Riley's long-suffering wife, Peg, and John Brown performing in two roles, that of Riley's pal Gillis and, most memorably, as the hilarious "friendly undertaker" Digger O'Dell.

Among radio comedy's most enduring features were its running gags - and few gags ran longer, or more hilariously, than the legendary feud between two of its great masters: Jack Benny and Fred Allen. For nearly 20 years the mere mention of Benny on an Allen program was guaranteed to produce an escalating laugh - just as bringing Allen up with Benny had listener in stitches at the mere anticipation of a response. This collection brings together the classic episodes that started it all, to the showdown that was supposed to end it once and for all.

Oscar Wilde's most popular and enduring play is set in Victorian England and concerns characters who maintain false identities in order to escape their social obligations. The play, which satirises Victorian society, is full of wit and humour.

Which president had feet bigger than his ego? Which barked like a seal? Which joked about dating mummies? Kathleen Krull uses fun and quirky facts to bring to light the human side of the 42 U.S. presidents in this "deliciously gossipy" biography.

Hamlet, Prince of Denmark, returns home to find his father murdered and his mother remarried to the murderer, his uncle. This is widely regarded as the definitive performance of Hamlet, starring Sir John Gielgud and Pamela Brown.

A fast-moving, wisecracking commentary on contemporary urban mores and morals, and the rivalries and passions to be encountered on the road to success. Married couple Colin, a screenwriter, and Kate, a publisher, move to the Emerald City, where fame and fortune are there for the taking, but surprises are in store for them both. 

'Sense of Humor' and 'Dream Street Rose' from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. 

'What No Butler' and 'Neat Strip' from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. 

'A Story Goes with It' and 'Dark Dolores' from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. 

'That Ever Lovin Wife of Hymies' and 'A Light in France' from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. 

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.