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Paterson Joseph stars as the Marquis de Carabas in this brand-new BBC Radio 4 full-cast dramatisation of Neil Gaiman's spin-off short story, set in the magical world of Neverwhere. Returning us to London Below, this enchanting tale continues the story of one of the most colourful characters from Neverwhere - the cool, charming, resourceful Marquis de Carabas, who trades in favours and always has a plan.

Don Paterson's new collection starts from the premise that the crisis of midlife may be a permanent state of mind. Zonal is an experiment in science-fictional and fantastic autobiography, with all of its poems taking their imaginative cue from the first season of The Twilight Zone (1959-1960), playing fast and loose with both their source material and their author's own life. Narrative and dramatic in approach, these poems change voices constantly in an attempt to get at the truth by alternate means.

In Finishing Well, Finishing Strong, Jim Grassi explores what spiritual manhood looks like and how men can focus on finishing the race well. God is calling men to live a life of perseverance and resilience and not to quit when the going gets tough. Dr. Grassi helps men discover the difference between having worldly success and living for spiritual significance. Men will feel motivated, empowered, and equipped to set the example for future generations by living so that others may follow their example as they follow Christ. 

The poems gathered here: elegies for the poet's musician father; tales of the love lives of gods and the childhoods of psychopaths; troubled encounters between men and women; odes to movies and the male anatomy; studies of art and ambition, politics and parenthood. Other voices enter the fray. And in the fourth part of Paterson's ongoing poem 'The Alexandrian Library', the poet-as-amateur scientist - from a weather station at the top of Ben Nevis to the cellar of The Arctic - bears witness to the imminence of man-made extinction.

Don Paterson was born in Dundee, Scotland, in 1963 and spent his boyhood living on a working-class council housing estate. Toy Fights is the remarkable story of his first twenty years. This is not just a book about music and family, but also about 'schizophrenia, hell, money, narcissists, debt and the working class, anger, swearing, drugs, books, football, love, origami, the peculiar insanity of Dundee, sugar, religious mania, the sexual excesses of the Scottish club band scene and, more generally, the lengths we go to not to be bored.

Don Paterson is one of our most acclaimed contemporary poets, possessed of "an infinite sensitivity to the world" (Zadie Smith). But his current standing gives few hints of his hilariously misspent youth. An indifferent student prone to obsessions (with girls at school and . . . origami), Paterson nevertheless made clear early on his immense gift for observation. In Toy Fights, he vividly re-creates the customs of the Scottish working class, from the titular childhood game ("basically twenty minutes of extreme violence without pretext") to the virtues of the sugary sweet known as tablet.