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An anthology of 113 original poems inspired by Taylor Swift songs, from a powerhouse group of contemporary poets - including Diane Seuss, Amanda Lovelace, Hollie McNish, Richard Siken, Ilya Kaminsky, Joy Harjo, Lang Leav, Paul Muldoon, Maggie Smith, Jane Hirshfield and Yusef Komunyakaa. For poetry lovers, this one-of-a-kind anthology is an unparalleled collection of new work from some of the most lauded and exciting voices in contemporary poetry.

Responding to pressure from on high, the Atlanta Police Department is forced to hire its first black officers. It's a victory of sorts, though the newly minted policemen are met with deep hostility by their white peers, and their authority is limited: They can't arrest a suspect unless a white officer is present; they can't drive squad cars; they can't even enter the station through the front door.

Atlanta, 1948. In this city all crime is black and white. On one side of the tracks are the rich white neighbourhoods, on the other Darktown, the African American area guarded by the city's first black police force of only eight men. These cops are kept near powerless by the authorities: they can't arrest white suspects; they can't drive squad cars; they must operate out of a dingy basement. When a poor black woman is killed in Darktown having been last seen in a car with a rich white man, no one seems to care except for Boggs and Smith, two black cops.

It’s 1949 in Detroit’s Black Bottom neighborhood, and there’s no better place to hear or play jazz than Paradise Club. Blue (Emmy and Grammy Award winner Blair Underwood), club owner and trumpeter, can wail like no other, but as forces outside the club conspire to irreparably change life inside and outside Paradise’s walls, he must decide whether to stay or sell. Beholden to his girlfriend (Grammy Award winner Kristolyn Lloyd) and fellow bandmates (André Holland and Keith Randolph Smith), Blue faces an uncertain future as he reckons with his troubled past.

In Invisible Strings, poet, professor, and dedicated Swiftie Kristie Frederick Daugherty has brought together 113 contemporary poets, each contributing an original poem that responds to a specific Taylor Swift song.