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One of art's purest challenges is to translate a human being into words. The New Yorker magazine has met this challenge more often and more successfully than any other modern American journal. Starting with its light fantastic evocations of the glamorous and the idiosyncratic in the '20s and continuing to the present, with complex pictures of such contemporaries as Marlon Brando and Richard Pryor, The New Yorker's Profiles have presented readers with a vast and brilliant portrait gallery.

When her husband dies, aging Miss Helen begins to fill her home in the remote South African bush with strange sculptures made from beer cans and old headlights. A local clergyman and a young woman visitor try to decide whether Miss Helen's peculiar art is an outpouring of creativity or an outbreak of madness.

Arthur Miller’s deeply moving drama reunites two long estranged middle-aged brothers. Nostalgia and recrimination erupt as they sell off an attic full of furniture, their last link to a family and a world that no longer exists. This 1968 classic is a wrenching saga of plaintive gestures and missed opportunities. A co-production with the BBC. 

One look at the decomposed and decapitated corpse, stored neatly in plastic bags, tells Temperance Brennan she'll spend the weekend in the crime lab. Something about the crime scene is familiar to Tempe: the stashing of the body parts; the meticulous dismemberment. As a pattern continues to emerge, Tempe calls upon all her forensic skills, including bone, tooth/dental, and bite mark analysis and x-ray microflourescence to convince the police that the cases are related and to try to stop the killer before he strikes again.

This Tony Award-winning play, set in New York City in 1850, centers on the painfully shy Catherine Sloyer, who lives in Washington Square with her father. When Catherine falls in love with a handsome suitor, Dr. Sloyer threatens to disinherit her, convinced that the young man could only be interested in her fortune. The decisions Catherine makes and their surprising consequences mark The Heiress as a complex and satisfying portrait of the American character.

Stacy Keach stars in this shocking tale of a Polk Street dentist and his wife in 1899 San Francisco. Frank Norris’ powerful insights into the depths of the human soul make this a story of compelling narrative force. This seminal novel about murder, obsession and the destructive effects of greed features an all-star cast including Stacy Keach, Edward Asner, Ed Begley Jr., Bud Cort, Hector Elizondo, Teri Garr, Katherine Helmond, Helen Hunt, Amy Irving, Carol Kane, Marsha Mason, Richard Masur, Judge Reinhold, and more.

Bad Axe is the story of a woman accused of murdering her husband at a military outpost in the Old West. Did hostile Indians force her to scalp him as revenge for his brutality, or did she kill him out of frustration with her plight as a soldier’s wife? An L.A. Theatre Works full-cast performance featuring John Castellanos, Harry Hamlin, Amy Irving, Peter Jacobs, and Jessica Walter. Recorded before a live audience.

With Saint Joan, George Bernard Shaw reached the height of his fame as a dramatist. Fascinated by the story of Joan of Arc but unhappy with "the whitewash which disfigures her beyond recognition," he presents a realistic Joan at war not just with British invaders but with realpolitik. This is a masterpiece of the theater of ideas, presented in the most eloquent, vital, human, and moving terms.

Originally produced for Chicago Theatres on the Air, Shakespeare's Greatest Hits contains some of the most memorable scenes from the Bardï¿¿ï¿¿s most profound works: Macbeth, Romeo and Juliet, As You Like It, Othello, and many more. It was performed by Chicago's Shakespeare Repertory, including Amy Irving and Kevin Gudhal, in 1993.