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When a Korean American teenage artist gets sucked into the world of her own web comic, she must find a way out with the help of a cute boy all while facing off against a villainous corporation. Inspired by the A-ha's "Take on Me" music video, this entertaining YA novel is a grounded speculative fiction adventure from a founding member of We Need Diverse Books.

At a lavish party in the hills outside of San Francisco, Jin Han meets Lidija Jung and nothing will ever be the same for either woman. A brilliant young photographer, Jin is at a crossroads in her work, in her marriage to her college love Philip, and in who she is and who she wants to be. Lidija is an alluring, injured world-class ballerina on hiatus from her ballet company under mysterious circumstances. Drawn to each other by their intense artistic drives, the two women talk all night.

Hwa Young was just ten years old when imperial forces destroyed her rebel moon home. Now, six years later, she is a citizen of the very empire that made her an orphan. Desperate to shake her rebel past, Hwa Young dreams of one day becoming a lancer pilot, an elite group of warriors who fly into battle using the empire’s most advanced tech—giant martial robots. Lancers are powerful, and Hwa Young would do anything to be the strong one for once in her life. When an attack leaves Hwa Young and her classmates stranded on an imperial space fleet, her dreams quickly become a reality.

Jane Choi is a typical Nebraskan teen—a corn-fed lover of Husker football. But lately, she feels like she’s missing something. Her non-Korean classmates—that’s everyone—are immersed in K-pop, K-dramas, K-beauty...basically, K-everything. But for Jane, kimchi? Not a fan. Bibimbap? What is that? Her mom even named her after the very not-Korean Jane Eyre.

Jackie Oh is done being your model minority. She’s tired of perfect GPAs, PSATs, SATs, all of it. Jackie longs to become a professional chef. But her Korean American parents are Ivy League corporate workaholics who would never understand her dream. Just ask her brother, Justin, who hasn’t heard from them since he was sent to Rikers Island. Jackie works at her grandparents’ Midtown Manhattan deli after school and practices French cooking techniques at night—when she should be studying.

Kim Ronyoung (Gloria Hahn, 1926-1987) tells the story of Haesu and Chun, immigrants who fled Japanese-occupied Korea for Los Angeles in the decade prior to World War II, and their American-born children. First published in 1986, Clay Walls offers a portrait of what being Korean in California meant in the first half of the twentieth century and how these immigrants’ nationalist spirit helped them withstand racism and poverty.

Every day, more and more people fleeing war in the north show up at Kyung Tak and her family’s house on the southeastern shore of Korea. With nowhere else to go, the Taks' home is these migrants' last chance of refuge “before falling into the sea,” and the household quickly becomes crowded, hot, and noisy. Then war sirens cry out over Kyung's city too, and her family and their guests take shelter underground. When the sirens stop, Kyung is upset—she wishes everything could go back to the way it was before: before the sirens, before strangers started coming into their home.