Wynik czyta: "Alan Walker" w kategorii Wszystkie kategorie

There is no ancient evil to defeat, no orphan destined for greatness, just two guys in the wrong place at the wrong time. Royce Melborn, a skilled thief, and his mercenary partner, Hadrian Blackwater, make a profitable living carrying out dangerous assignments for conspiring nobles until they become the unwitting scapegoats in a plot to murder the king. Sentenced to death, they have only one way out...and so begins this tale of treachery and adventure, sword fighting and magic, myth and legend. Avempartha is the second of a six book series entitled the Riyria Revelations. 

Six classic farces from the renowned comedy writer, with casts including Judi Dench, Michael Williams, Joan Hickson, Alex Jennings and Penelope Wilton In the 1920s and ’30s, Ben Travers proved himself a master of comic confusion with his hugely successful Aldwych farces. Featuring battle-axe...

When Arkham Advertiser reporter Andy van Nortwick receives a mysterious film reel in the mail, with a simple note: "Maude Brion is very much alive!", he steps onto a path which will lead him to the brink of madness. Brion, the famous actress and film director, vanished a year ago on an ill-fated expedition into the Amazon rainforest, delving into the legend of the Spider Queen. Thrilled by the prospect of his big break, Nortwick swings the funds to launch a rescue mission. He gathers a team of explorers and a keen folklorist to bring back Brion and cement his reputation.

BBC Radio dramatisations and readings of Browning’s most famous poems, performed by stars including Anton Lesser, Roger Allam and David Tennant, plus two bonus plays Victorian poet Robert Browning was renowned for his evocative dramatic monologues peopled with vivid, morally ambiguous...

Silas Decker had his world destroyed when he was attacked by vampires outside of New Amsterdam. He has rebuilt his life a dozen times in the last 300 years - each time less and less successfully. Now he lives alone, buried under a hoarding habit, struggling to find some reason to wake up with the setting of the sun.

Actor, dramatist and founding member of Laurence Olivier’s National Theatre, Rod Beacham wrote over 15 plays for BBC Radio. This collection comprises seven crime dramas first broadcast on Radio 4’s ‘Saturday Night Theatre’ strand between 1980 and 1987, ranging in tone from tense whodunnits to light-hearted comedy thrillers.

After surviving a brilliantly plotted murder attempt, the richest man in San Francisco is looking to hire the best protection money can buy. Enter Matt Jensen, who, for the princely sum of $5000, agrees to escort millionaire John Gillespie and his very fetching daughter on a railway journey from Frisco to Chicago. There’s just one catch: The world’s deadliest killers are coming along for the ride....

When Duff MacCallister journeys to Texas to deliver 100 head of angus cattle, he finds a land on fire. Unruly, lawless teams of fence cutters, branded Blue Devils by the locals, are rampaging across grazing land and cutting fences in the name of an eastern land company. The ranchers are fighting back, and Duff joins the fray. But the fight leads to Austin, and into an even deadlier mission. 

Luke Jensen has seen some sorry looking bounties in his time, but this one takes the cake. A wanted poster is offering a reward of one dollar and 42 cents — plus one busted harmonica — to capture Three-Fingered Jack McKinney. Turns out, McKinney’s 12-year-old son Aaron wants revenge on his daddy for abandoning him and his mom. The reward is all the money Aaron can scrape together. Luke can’t say no to the poor boy — or his beautiful mother — so he agrees to go after McKinney and his bank-robbing gang. 

What if the greatest obstacle to knowledge lies not in the world but in ourselves? Four centuries ago, Francis Bacon revolutionized human thought by identifying the “idols of the mind”—systematic biases that distort our understanding. Today, modern science has confirmed his insights with mathematical precision: the structure of our assumptions determines what we can know, often more fundamentally than the evidence we gather or the intelligence we apply.

Rusty has spent his life being “okay.” Okay at work. Okay with family. Okay with being the man the world expects. When everything finally collapses, he’s forced to stop running—from his past, his identity, and the version of himself he learned to hide in order to survive.