Ergebnis von "Tom Holt" in Alle Kategorien

A happy workforce is a productive workforce. At the moment, the Wizard's employees are neither. The goblins are upset with their working conditions, the dragonslayer has thrown a hissy fit over his medical insurance (or lack thereof) and everyone is upset about the terrible canteen coffee. Yet the Wizard hasn't got time to worry about revolution in the workplace - he's about to see his brilliant business plan (based on entrepreneurial flair and involving one or two parallel worlds) disrupted by a clueless young man.

Starting a new job is always stressful (especially when you don't particularly want one), but when Paul Carpenter arrives at the office of J. W. Wells he has no idea what trouble lies in store. Because he is about to discover that the apparently respectable establishment now paying his salary is in fact a front for a deeply sinister organisation that has a mighty peculiar agenda. It seems that half the time his bosses are away with the fairies. But they're not, of course. They're away with the goblins.

'A definite must for all fans of comic fantasy' - ENIGMA 'Wacky humour bubbles through the polished narrative ... Holt doesn't skimp on the flashes of brilliance' - SFX Ever been offered a promotion that seems too good to be true? You know - the sort they'd be insane to be offering to someone...

Monsters are roaming the streets of London. Of course, some monsters are scarier than others: Unicorns? No bother. Vampires? Big deal. Werewolves? Ho hum. Lawyers? … Aaargh! Duncan's boss doesn't think that he's cut out to be a lawyer. He isn’t a pack animal. He lacks the killer instinct. But when his best friend from school barges his way back into Duncan’s life, with a full supporting cast of lawyers, ex-wives, zombies and snow-white unicorns, it’s not long before things become distinctly unsettling.

J.W. Wells seemed to be a respectable establishment, but the company now paying Paul Carpenter's salary is in fact a deeply sinister organisation with a mighty peculiar management team. Paul thought he was getting the hang of it (particularly when he fell head over heels for his colleague Sophie), but death is never far away when you work at J.W. Wells, unlike the stapler - that's always going AWOL. Our love-struck hero is about to discover that custard is definitely in the eye of the beholder. And that it really stings.

The doughnut is a thing of beauty, a circle of fried, doughy perfection - a source of comfort in trying times, perhaps. For Theo Bernstein it is far, far more. An accident at work lost Theo his job (and his work involved preventing a Very, Very Large Hadron Collider from blowing up, so he's unlikely to get it back). His wife has left him; he doesn't have any money; and news arrives that his good friend, Professor Pieter van Goyen, renowned physicist and Nobel laureate, has died.

New Evil. Same as the Old Evil but with better PR. Mordak isn't bad as far as goblin kings go, but when someone or something starts pumping gold into the human kingdoms, it puts his rule into serious jeopardy. Suddenly he's locked in an arms race with a species whose arms he once considered merely part of a healthy breakfast.

Being the Dark Lord and Prince of Evil is not as much fun as it sounds, particularly if you are a basically decent person. King Mordak is just such a person. Technically he's more goblin than person, but the point is that he is really keen to be a lot less despicable than his predecessors. Not that the other goblins appreciate Mordak's attempts to redefine the role. Why should they when his new health-care program seems designed to actually extend life expectancy, and his efforts to end a perfectly reasonable war with the dwarves appear to have become an obsession?       

When the Supreme Being and his son decide that being supreme isn't for them anymore, it's inevitable that things get a bit of a shake-up. It soon becomes apparent that our new owners, the Venturi brothers, have a very different perspective on all sorts of things. Take Good and Evil, for example. For them it's an outdated concept that never worked particularly well in the first place.

Welcome to Dawson, Ahriman & Dawson! The team of commercial sorcerers at Dawson, Ahriman & Dawson can help with any metaphysical engineering project, large or small. (Though by definition, they all tend to be pretty large.) They can also create massive great puddles of chaos that might one day swallow up the entire universe. Take, for example, the decision to recruit a certain bearded fellow whose previous work experience mainly involves reindeer and jingle bells. It might have seemed like a good idea at the time, but is he really the best person to save the world from Tiamat the Destroyer?

Maurice has just killed a dragon with a breadknife. And had his destiny foretold...and had his true love spirited away. That's precisely the sort of stuff that'd bring out the latent heroism in anyone. Unfortunately, Maurice is pretty sure he hasn't got any latent heroism. Meanwhile, a man wakes up in a jar in a different kind of pickle (figuratively speaking).

It is 1939. War threatens Europe. Troops are stationed near Tilling and rationing leads to queues in the High Street and a distinct shortage of goods at Twemlow’s. But it must be admitted that the hostilities that occupy the attention of Lucia and Georgie are with Elizabeth Mapp-Flint, rather than with the enemy across the Channel. Faced with Elizabeth’s elevation to the head of Tilling Red Cross (complete with uniform) and Major Benjy’s leadership of the Home Guard, it seems that Lucia’s domination of the little Sussex town is under serious threat.

With her dearest archenemy, Elizabeth Mapp-Flint, ousted from the Town Council, Lucia, twice-elected Mayor of Tilling, is strangely wearied of her mortal span. For she feels she has accomplished everything – what else is there for her to do? But Time, and Elizabeth Mapp-Flint, have events of catastrophic proportion in store. Lucia has hardly launched her project of The Tilling Tapestry when Elizabeth sweeps through Tilling society with her Monopoly Set, putting sewing, bridge and dinner parties to rout, wooing even the obedient Georgie to the delights of buying Vine Street and the Water Works.

Silver Fish is a podcast series featuring a number of story driven monologues written by Tom Holt and performed by a group of talented actors. Each episode will run roughly 10-20 minutes long and will feature a different actor. Set at Greenwich Observatory, the series explores the minds of eight individuals who spend their evenings watching the sunset, travelling deep into their thoughts as they are transfixed on the sky. But what is it that's bringing these strangers together? Is it the sky? Or something else? A huge thank you to Olly Wood (@owoodmusic) for the theme tune and to Eve ...