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The dramatic nature of Plato’s dialogues is delightfully evident in the "Symposium." The marriage between character and thought bursts forth as the guests gather at Agathon's house to celebrate the success of his first tragedy. With wit and insight, they each present their ideas about love - from Erixymachus’s scientific naturalism to Aristophanes' comic fantasy. The unexpected arrival of Alcibiades breaks the spell cast by Diotima’s ethereal climb up the staircase of love to beauty itself.

Plato's dialogue, Critias, recalls the story of Atlantis attempting to conquer Athens. In ancient times, the Earth was divide by the gods - and gods tended the humans in their allotment as shepherds. Atlantis, allotted to Poseidon, becomes corrupt over time, and Zeus must take matters into his own hands.

Critias is one of Plato's late dialogues and contains the story of the mighty island kingdom Atlantis and its attempt to conquer Athens, which failed due to the ordered society of the Athenians. Critias is the second of a projected trilogy of dialogues, preceded by Timaeus and followed by Hermocrates. The latter was possibly never written, and Critias was left incomplete. This edition was translated by Benjamin Jowett in 1871.

The concept of justice and what constitutes "just" behavior has been a topic of philosophical conversation for centuries. Indeed, famed Greek philosopher Plato made it the very focus of his 10-book epic The Republic, in which he endeavored not only to give a working definition of the word "justice", but also to provide examples of justice in society, in the city-states, and in humankind. The Republic is written as a Socratic dialogue. In it, Socrates and other prominent figures have conversations regarding these topics.

Socrates is on trial for his life. He is charged with impiety and corrupting young people. He presents his own defense, explaining why he has devoted his life to challenging the most powerful and important people in the Greek world. The reason is that rich and famous politicians, priests, poets, and a host of others pretend to know what is good, true, holy, and beautiful, but when Socrates questions them they are shown to be foolish rather than wise.

The Phaedrus by Plato, is a dialogue between Plato's protagonist, Socrates, and Phaedrus, an interlocutor in several dialogues. It was probably written around 370 BC, at about the same time as Plato's Republic and Symposium. Ostensibly about love, the discussion in the dialogue focuses on the art of rhetoric and how it ought to be practiced. The dialogue appears in the direct words of Socrates and Phaedrus, without an introduction.

Socrates questions Ion, an actor who just won a major prize, about his ability to interpret the epic poetry of Homer. How does an actor, a poet, or any other artist create? Is it by knowing? Is it by inspiration? As the dialogue proceeds, the nature of human creativity emerges as a mysterious process and an unsolved puzzle. Plato lived in Athens, Greece. He wrote approximately two-dozen dialogues that explore core topics that are essential to all human beings.

Plato’s dialogues frequently cover several topics and show their connection to each other. The "Phaedrus" is a model of that skill because of its seamless progression from examples of speeches about the nature of love to mythical visions of human nature and destiny to the essence of beauty and, finally, to a penetrating discussion of speaking and writing. It ends with an examination of the love of wisdom as a dialectical activity in the human mind.

The "Republic" poses questions that endure: What is justice? What form of community fosters the best possible life for human beings? What is the nature and destiny of the soul? What form of education provides the best leaders for a good republic? What are the various forms of poetry and the other arts, which ones should be fostered, and which ones should be discouraged? How does knowing differ from believing? Several characters in the dialogue present a variety of tempting answers to those questions. Cephalus, Polemarchus, Thrasymachus, and Glaucon all offer definitions of justice.

The Allegory of the Cave, or Plato's Cave, was presented by the Greek philosopher Plato to compare "[T]he effect of education and the lack of it on our nature". It is written as a dialogue between Plato's brother Glaucon and his mentor, Socrates, narrated by the latter. 

For those looking for "a taste of Plato", this audiobook is ideal. It includes the full text of "Apology" and "Crito" as well as the first two books of Plato's monumental Republic.

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High quality readings of classic stories

The Apology of Socrates was written by Plato. In fact, it's a defensive speech of Socrates that he said in a court noted down by Plato. The main subject of the speech is a problem of the evil. Socrates insists that neither death nor death sentence is evil. We shouldn't be afraid of the death because we don't know anything about it. Socrates proved that the death shouldn't be taken as the evil with the following dilemma: the death is either a peace or a transit from this life to the next. Both can't be called evil. Consequently, the death shouldn't be treated as evil.

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One of the most notorious pirates during the Qing dynasty was born a woman in the wrong century. Mógū's life had a rough start. Born in a poverty stricken fishing village, she was discarded like yesterday’s trash and left in a depository at a Buddhist temple when she was a small girl. Nuns raised her until she reached puberty. Like many of the unwanted daughters of Guangzhou, Mógū became a prostitute on a flower boat.

Meno is a Socratic dialogue written by Plato. In it, the two characters, Meno and Socrates, discuss "arete", or virtue. This dialogue is also famous for introducing "Meno's Paradox".

In 1789, Mo’destee Vert was a Senegambia teenager in love and happier than ever as she prepard to become an adult. Everything changed when white strangers speaking a foreign language attacked her village. After a grueling voyage across the ocean, she found herself labeled Modesty Greene, slave. She became the property of Robert Banks, a plantation owner in Dorchester County, Maryland. At night, she dreamed of her home in Africa. She longed to see her brother and parents, but mostly, she missed the man that never became her husband.

Dacia thinks she's escaping a miserable life with her emotionally abusive husband only to get caught up in a world filled with meth and sex. The drugs coursing through her veins keep her closely tied to the men and women who will certainly be her demise. Being convinced she is in control of her drug addiction leads her into making a series of wrong choices that put her on a path she never expected. 

Alfred North Whitehead once noted: "the safest general characterization of the European philosophical tradition is that it consists of a series of footnotes to Plato". Plato is indeed considered the most pivotal figure in the development of philosophy, along with his teacher, Socrates, and his student, Aristotle. But his writings are often light, fresh and funny; it was Plato who invented the dialogue in philosophy, which makes a point very easy to follow and the occasion of various scenic arrangements.