Ergebnis von "Natalie Haynes" in Alle Kategorien

Medusa - Schwester, Opfer, Monster? Medusa wächst bei ihren Schwestern auf und merkt schnell, dass sie anders ist – eine Sterbliche in einer Familie von Göttern. Von ihrer Schönheit angezogen, bedrängt der Meeresgott Poseidon sie im Tempel der Athene. Die Göttin wähnt ihren Tempel entweiht und lässt ihre Wut an der Unschuldigen aus: Medusa wird in ein Monster mit Schlangenhaaren verwandelt, das kein Lebewesen mehr ansehen kann, ohne es zu Stein erstarren zu lassen. Aus Rücksicht verdammt Medusa sich zu einem Leben in der Einsamkeit.

Hekabe, Penthesilea, Andromache – Bestsellerautorin Natalie Haynes gibt Trojas Frauen eine Stimme. Alles ist so gekommen, wie sie es vorausgesagt hatten nur noch schlimmer! Troja brennt, der Krieg ist verloren. Warum hat Priam nicht auf die skeptischen Worte seiner Frau gehört? Denn während die Männer im Krieg ihr Leben verlieren, verlieren Hekabe, Polyxena und Andromache alles andere. Es gibt Angst, Wut und Schuldgefühle, doch die Frauen zeigen ihren Kummer nicht.

No Friend to This House is an extraordinary reimagining of the myth of Medea, written and read by the Sunday Times bestselling author of Stone Blind, Natalie Haynes. 'Haynes is the modern embodiment of the best of Homer' – Radio Times This is what no one tells you, in the songs sung about...

In the middle of the night, a woman wakes to find her beloved city engulfed in flames. Ten seemingly endless years of conflict between the Greeks and the Trojans are over. Troy has fallen. From the Trojan women whose fates now lie in the hands of the Greeks, to the Amazon princess who fought Achilles on their behalf, to Penelope awaiting the return of Odysseus, to the three goddesses whose feud started it all, these are the stories of the women whose lives, loves, and rivalries were forever altered by this long and tragic war.

'Funny, sharp explications of what these sometimes not-very-nice women were up to, and how they sometimes made idiots of . . . but read on!' – Margaret Atwood, author of The Handmaid's Tale This audio edition is expertly and enthusiastically read by the author, Natalie Haynes. The Greek myths...

In The Children of Jocasta, Natalie Haynes retells the Oedipus and Antigone myths to reveal a new side of an ancient story.... My siblings and I have grown up in a cursed house, children of cursed parents.... Jocasta is just 15 when she is told that she must marry the King of Thebes, an old man she has never met. Her life has never been her own, and nor will it be unless she outlives her strange, absent husband.

Die Bestsellerautorin Natalie Haynes nimmt uns mit in die Welt der griechischen Mythologie, zu den Göttinnen des Olymps. Missverständnisse und falsche Darstellungen in Kunst, Literatur und Popkultur verzerren unseren Blick, doch mit diesem Buch sehen wir Frauenfiguren, die wir schon zu kennen meinen, plötzlich in einem ganz neuen Licht. So ist Athene die Göttin des Krieges, wird aber auch für ihren weisen Rat geschätzt. Aphrodite ist die schönste aller Göttinnen, hat jedoch eine rachsüchtige Seite und bestraft jeden hart, der ihr missfällt.

Longlisted for the Women's Prize for Fiction 2023. This audio edition is read by the author, Natalie Haynes. In Stone Blind, the instant Sunday Times bestseller, Natalie Haynes brings the infamous Medusa to life as you have never seen her before. 'Witty, gripping, ruthless' – Margaret Atwood...

A brand-new collection of short stories featuring the Queen of Crime’s legendary detective Jane Marple, penned by 12 remarkable best-selling and acclaimed authors. This collection of 12 original short stories, all featuring Jane Marple, will introduce the character to a whole new generation. Each author reimagines Agatha Christie’s Marple through their own unique perspective while staying true to the hallmarks of a traditional mystery.

Natalie Haynes returns to the world of Greek myth and this time she examines the role of the goddesses. We meet Athene, who sprang fully formed from her father’s head: goddess of war and wisdom, guardian of Athens. We run with Artemis, goddess of hunting and protector of young girls (apart from those she decides she wants as a sacrifice). Here is Aphrodite, goddess of sex and desire – there is no deity more determined and able to make you miserable if you annoy her. And then there’s the queen of all the Olympian gods: Hera, Zeus’s long-suffering wife.

In A Thousand Ships, broadcaster and classicist Natalie Haynes retells the story of the Trojan War from an all-female perspective, for fans of Madeline Miller and Pat Barker. This was never the story of one woman, or two. It was the story of them all.... In the middle of the night, a woman wakes to find her beloved city engulfed in flames. Ten seemingly endless years of conflict between the Greeks and the Trojans are over. Troy has fallen.

The only mortal in a family of gods, Medusa is the youngest of the Gorgon sisters. Unlike her siblings, Medusa grows older, experiences change, feels weakness. Her mortal lifespan gives her an urgency that her family will never know.

Few writers today have reshaped our view of the ancient Greek myths more than revered bestselling author Natalie Haynes. Divine Might is a female-centered look at Olympus and the Furies, focusing on the goddesses whose prowess, passions, jealousies, and desires rival those of their male kin.

Writer, broadcaster and recovering comedian Natalie Haynes mixes comedy and conversation to bring the ancient world entertainingly up to date in these four radio series. Each episode sees her profiling a key figure from ancient Greece and Rome, and, aided by her special guests, creating a stand-up show around them.

Author, broadcaster and 'rock star classicist' Natalie Haynes is a little bit obsessive about Ancient Greece and Rome. In these four series, she explores some of the most prominent historical and mythological figures from the classical world, telling their stories through a mix of stand-up comedy and conversation.

After losing her fiancé in a shocking tragedy, Alex Morris moves from London to Edinburgh to make a break with the past. Formerly an actress, Alex accepts a job teaching drama therapy at a school commonly referred to as "The Unit," a last-chance learning community for teens expelled from other schools in the city. Her students have troubled pasts and difficult personalities, and Alex is an inexperienced teacher, terrified of what she's taken on and drowning in grief. Her most challenging class is an intimidating group of teenagers who have been given up on by everyone before her.

It's time for us to re-examine the past. Our lives are infinitely richer if we take the time to look at what the Greeks and Romans have given us in politics and law, religion and philosophy and education, and to learn how people really lived in Athens, Rome, Sparta and Alexandria. This is a book with a serious point to make but the author isn't simply a classicist but a comedian and broadcaster who has made television and radio documentaries about humour, education and Dorothy Parker. This is a book for us all.

Author, broadcaster and 'rock star classicist' Natalie Haynes is a little bit obsessive about Ancient Greece and Rome. In these series, she explores some of the most prominent historical and mythological figures from the classical world, telling their stories through a mix of stand-up comedy and conversation.

The tellers of Greek myths—historically men—have routinely sidelined the female characters. When they do take a larger role, women are often portrayed as monstrous, vengeful or just plain evil—like Pandora, the woman of eternal scorn and damnation whose curiosity is tasked with causing all the world’s suffering and wickedness when she opened that forbidden box. But, as Natalie Haynes reveals, in ancient Greek myths there was no box. It was a jar . . . which is far more likely to tip over.

Jocasta is just fifteen when she is told that she must marry the King of Thebes, an old man she has never met. Her life has never been her own, and nor will it be, unless she outlives her strange, absent husband. Ismene is the same age when she is attacked in the palace she calls home. Since the day of her parents' tragic deaths a decade earlier, she has always longed to feel safe with the family she still has. But with a single act of violence, all that is about to change. With the turn of these two events, a tragedy is set in motion. But not as we’ve known it.