Ergebnis von "Margaret Rogerson" in Alle Kategorien

All sorcerers are evil. Elisabeth has known that as long as she has known anything. Raised as a foundling in one of Austermeer’s Great Libraries, Elisabeth has grown up among the tools of sorcery - magical grimoires that whisper on shelves and rattle beneath iron chains. If provoked, they transform into grotesque monsters of ink and leather. She hopes to become a warden, charged with protecting the kingdom from their power. Then an act of sabotage releases the library’s most dangerous grimoire.

Isobel is a prodigy portrait artist with a dangerous set of clients: the sinister fair folk, immortal creatures who cannot bake bread, weave cloth, or put a pen to paper without crumbling to dust. They crave human Craft with a terrible thirst, and Isobel's paintings are highly prized. But when she receives her first royal patron - Rook, the autumn prince - she makes a terrible mistake. She paints mortal sorrow in his eyes - a weakness that could cost him his life.

Elisabeth Scrivener is finally settling into her new life with sorcerer Nathaniel Thorn. Now that their demon companion Silas has returned, so has scrutiny from nosy reporters hungry for gossip about the city’s most powerful sorcerer and the librarian who stole his heart. But something strange is afoot at Thorn Manor: the estate’s wards, which are meant to keep their home safe, are acting up and forcibly trapping the Manor's occupants inside. Surely it must be a coincidence that this happened just as Nathaniel and Elisabeth started getting closer to one another.

Artemisia is training to be a Gray Sister, a nun who cleanses the bodies of the deceased so that their souls can pass on; otherwise, they will rise as ravenous, hungry spirits. She would rather deal with the dead than the living, who whisper about her scarred hands and troubled past. When her convent is attacked by possessed soldiers, Artemisia defends it by awakening an ancient spirit bound to a saint’s relic. It is a revenant, a malevolent being whose extraordinary power almost consumes her - but death has come, and only a vespertine has any chance of stopping it.

All sorcerers are evil. Elisabeth has known that as long as she has known anything. Raised as a foundling in one of Austermeer’s Great Libraries, Elisabeth has grown up among the tools of sorcery—magical grimoires that, if provoked, transform into grotesque monsters of ink and leather. Then an act of sabotage releases the library’s most dangerous grimoire, and Elisabeth is implicated in the crime. With no one to turn to but her sworn enemy, the sorcerer Nathaniel Thorn, she finds herself entangled in a centuries-old conspiracy.

Artemisia is training to be a Gray Sister, tasked with cleansing the bodies of the dead so that their souls can pass on; otherwise, they will rise as spirits with a hunger for the living. When her convent is attacked, Artemisia defends it by awakening a revenant. Wielding this ancient spirit’s extraordinary power almost consumes her–but only a vespertine, a priestess trained to wield a revenant, has any chance of saving Loraille.

Isobel is an artistic prodigy with a dangerous set of clients: the immortal fair folk. Yet when she receives her first royal patron—Rook, a fairy prince—she makes a terrible mistake. She paints mortal sorrow in his eyes—a weakness that could cost him his life. Furious, Rook escorts Isabel to his kingdom to stand trial for her crime, but their journey is full of danger. Forced to depend on each other for survival, will their alliance blossom into something more? After all, love violates the fair folks’ ruthless laws...but are some matters worth the risk?

Elisabeth creció en una de las bibliotecas mágicas de Austermeer, pero ahora vive en casa de Nathaniel... y bajo la atenta mirada de los periodistas, ávidos de cotilleos sobre el hechicero más poderoso de la ciudad y la bibliotecaria que le ha robado el corazón. Que la enorme finca esté llena de secretos no es una sorpresa.

Todo el mundo sabe que los elfos son tan arrogantes como inmortales y por eso les gusta que se los retrate. Además, ansían el arte de los humanos porque ellos son incapaces de crear algo que transmita vida. Isobel los conoce bien, pues se gana la vida pintando sus rostros.

Desde que la abandonaron de niña en una de las bibliotecas mágicas de Austermeer, Elisabeth ha crecido entre grimorios que susurran en los estantes y que, ante la menor provocación, se transforman en monstruos de tinta y cuero.