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"Folks. This here is the story of the Loop Garoo Kid. A cowboy so bad he made a working posse of spells phone in sick. A bullwhacker so unfeeling he left the print of winged mice on hides of crawling women. A desperado so onery he made the Pope cry and the most powerful of cattlemen shed his head to the Executioner's swine." And so begins the HooDoo Western by Ishmael Reed, author of Mumbo Jumbo and one of America's most innovative and celebrated writers. Reed demolishes white American history and folklore as well as Christian myth in this masterful satire of contemporary American life.

In The Terrible Threes, Ishmael Reed proves that he is one of the most innovative voices in contemporary literature. This adventure into the world of offbeat humor and on-target social criticism is a vision of America in the not-too-distant future, a portrait of a fairy-tale gone awry. This novel begins where The Terrible Twos left off, in the late 1990s, three years after President and former fashion model Dean Clift was laughed out of office, with the nation in chaos.

Brilliantly portrayed by a novelist with "a talent for hyperbole and downright yarning unequaled since Mark Twain", (Saturday Review), this slave's-eye view of the Civil War exposes America's racial foibles of the past and present with uninhibited humor and panache. Mixing history, fantasy, political reality, and comedy, Ishmael Reed spins the tale of three runaway slaves and the master determined to catch them.

It’s tough to be a buffoon when the Age of Reason is trying to downsize your job. When the King’s Fool dies unexpectedly, a professional buffoon tries to move up the ranks and grab the top slot. But the politics involved in becoming a court jester are no laughing matter. The rules of becoming the top fool are simple: The winner is the one who performs the most outrageous act. Our buffoon and his fellows struggle for supremacy in a profession that is heading for extinction.

In 1960, Ishmael Reed, then an aspiring young writer, interviewed Malcolm X for a local radio station in Buffalo, and the encounter cost Reed his job and changed his life. In Malcolm and Me, Reed, the author of such classic novels as Mumbo Jumbo and the winner of a MacArthur “Genius” Fellowship, reveals a side of Malcolm X the public has never seen before, and explores how the civil rights firebrand influenced his own views on working and living and speaking out, and left a mark on generations of artists and activists.

Often overshadowed by San Francisco, its twinkling sister city across the Bay, Oakland is itself an American wonder. The city is surrounded by and filled with natural beauty - mountains and hills and lakes and a bay - and architecture that mirrors its history as a Spanish mission, a gold rush outpost, and home of the West's most devious robber barons. It's also a city of artists and blue-collar workers, the birthplace of the Black Panthers, neighbor to Berkeley, and home to a vibrant and volatile stew of immigrants and refugees.

The Terrible Twos is a wickedly funny, sharp-edged fictional assault on all those sulky, spoiled naysayers needing instant gratification - Americans. Ishmael Reed's sixth novel depicts a zany, bizarre, and all-too-believable future where mankind's fate depends upon a jolly old gent named St. Nicholas and a Risto-rasta dwarf named Black Peter, who together wreak mischievous havoc on Wall Street and in the Oval Office. This offbeat, on-target social critique makes marvelous fun of everything that is American, from commercialism to Congress, Santa Claus to religious cults.

When Papa LaBas (private eye, noonday HooDoo, and hero of Reed's Mumbo Jumbo) comes to Berkeley, California, to investigate the mysterious death of Ed Yellings, owner of the Solid Gumbo Works, he finds himself fighting the rising tide of violence propagated by Louisiana Red and those militant opportunists, the Moochers. A HooDoo detective story and a comprehensive satire on the explosive politics of the '60s, The Last Days of Louisiana Red exposes the hypocrisy of contemporary American culture and race politics.

In 2010, the Newseum in Washington D.C. finally obtained the suit O. J. Simpson wore in court the day he was acquitted, and it now stands as both an artifact in their "Trial of the Century" exhibit and a symbol of the American media’s endless hunger for the criminal and the celebrity. This event serves as a launching point for Ishmael Reed’s Juice!, a novelistic commentary on the post-Simpson American media frenzy from one of the most controversial figures in American literature today.

It's the 1980s and the politics of the New York theater scene have taken yet another turn.

Masochism is out and feminism is in, Jews are out and Germans are in, race is out and gender is in, and everyone's fighting (and rewriting) for a piece of the pie. In this hilarious, devastating, but also deeply sympathetic novel, Ishmael Reed turns characters on their backs, sides, tops and bottoms to expose the multiple hypocrisies at the heart of American culture.

In Blues City, Ishmael Reed, one of our most brilliant essayists, takes us on a tour of Oakland, exploring its fascinating history, its beautiful hills and waterfronts, and its odd cultural juxtapositions. He takes us into a year in the life of this amazing city, to black cowboy parades and Indian powwows, to Black Panther reunions and Gay Pride concerts, to a Japanese jazz club where a Lakota musician plays Coltrane’s "Naima".

Ishmael Reed's electrifying first novel zooms readers off to the crazy, ominous kingdom of HARRY SAM - a miserable and dangerous place ruled for thirty years by Harry Sam, a former used car salesman who wields his power from his bathroom throne. In a land of a thousand contradictions peopled by cops and beatniks, black nationalists and white liberals, the crusading Bukka Doopeyduk leads a rebellion against the corrupt Sam in a wildly uproarious and scathing satire....

He’s one of America’s most brilliant neuroscientists. He’s also Black and dying of cancer. But he has a plan—a brain transfer. He’ll put his gifted mind into the body of Sammy Sturgeon, a White high school football star who was on the rise until a touchdown collision left him brain-dead. He convinces his co-conspirator, Dr. Dino Battaglia, to help him with the forbidden procedure. Douglass wakes up in Sammy’s White, athletic body, with his new family and legions of fans weeping at his miraculous recovery.