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Pistis Sophia is a Gnostic text discovered in 1773, possibly written between the 3rd and 4th centuries AD. The existing manuscript, which some scholars place in the late 4th century, relates one Gnostic group's teachings of the transfigured Jesus to the assembled disciples (including his mother Mary, Mary Magdalene, and Martha). In this text, the risen Jesus had spent eleven years speaking with his disciples, teaching them only the lower mysteries. After eleven years, he receives his true garment and is able to reveal the higher mysteries revered by this group.

This is G.R.S. Mead's translation of the Pistis Sophia, the most extensive Gnostic scripture available until the discovery of Nag Hammadi texts in 1945. The Pistis Sophia is a startling blend of primitive Christianity and Hellenic Paganism, with other elements such as reincarnation, astrology, mystery religion and Hermetic magic.

This anthology brings together Hermes’s most profound writings, translated and adapted for today’s listeners, exploring the universe, mind, and soul. Perfect for students of philosophy, spiritual seekers, or anyone curious about ancient wisdom.

Brought to you by Altrusian Grace Media (altrusiangrace. com) and human-narrated by Matthew Schmitz. A collection of all three of G. R. S. Mead's comprehensive surveys of the literature attributed to the legendary Egyptian sage, Hermes Trismegistus. The Hermetic writings have been known to Christian writers for many centuries. The early church Fathers quote them in defense of Christianity. Stobaeus collected fragments of them. The Humanists knew and valued them.

The Gnostic Crucifixion by G.R.S. Mead explores the idea that the crucifixion was understood in certain mystical and gnostic traditions not only as a literal historical event, but also as a profound spiritual symbol representing the soul’s descent into matter, suffering within the material world, and eventual awakening to divine reality.

Brought to you by Altrusian Grace Media and human-narrated by Matthew Schmitz. In A Mithriac Ritual, G.R.S. Mead presents and comments on a text he treats as an unusually revealing witness to the inner religious life of the Mithraic mysteries, moving beyond general history to examine a ritual of ascent, invocation, visionary transformation, and cosmic symbolism.

This is a collection of 26 essays on a variety of theosophical, spiritual and esoteric subjects by some of the most notable and prominent names in the history of theosophy. Compiled specifically with the student in mind.

George Robert Stowe Mead was one of the most prolific and gifted scholars of Gnosticism and Hermeticism of the first half of the 20th century. This book explores gnostic ideas and texts from an entirely sympathetic point of view, which was rare at the time. Editor Jason Augustus Newcomb has rendered the book more comprehensible for modern listeners, as well as added additional notes and commentary.

Heralding from the famed Emerald Tablet, Mead examines the phrase, "As Above So Below", with particular attention paid to how it pertains to students of Theosophy. He spends time discussing the astral realm as well as exploring the concept of Flatland and what these two things may have to do with this age-old Hermetic axiom.

This brief outline of the comparatively meagre information we possess on what at one time was the most widely spread mystery-institution in the Roman empire, is introductory to the following small volume which will deal with the only Mithriac Ritual known to us. In dealing with this exceedingly instructive Ritual I found that the limits of one booklet would not suffice for an adequate introduction; and without this, I fear, many listeners will not be in a position to appreciate the Ritual at its just value.

For long I have been spending much of my time in a world of great beauty of thought and purity of feeling, created by the devotion and intelligence of one of the many theosophical fraternities of the ancient world. They called themselves disciples of Thrice-greatest Hermes, and sometimes spoke of their faith as the Religion of the Mind. They were prior to and contemporary with the origins and earliest centuries of Christianity, and they lived in Egypt.

Brought to you by Altrusian Grace Media (altrusiangrace.com) and human-narrated by Matthew Schmitz. The Story of Aridæus is the most detailed and graphic Vision of Hades preserved to us from classical antiquity, and exceeds in interest even Plato’s Story of Er and Cicero’s Dream of Scipio, not to speak of the less known Visions of Krates and of Zosimus. It brings to a striking conclusion the instructive treatise of Plutarch, the Greek title of which may be rendered, On the Delay of the Deity in Punishing the Wicked or On the Delay of Divine Justice."

Heralding from the famed Emerald Tablet, Mead examines the phrase, As Above So Below, and primarily as it pertains to Theosophy.

These writings are attributed to Hermes Trismegistus, an ancient Egyptian sage, the founder of all arts and sciences, both mundane and spiritual. Rather than being an actual person, Hermes is the Egyptian personification of the "Gnostic Revealer." Hymns of Hermes examines Hermetic ecstatic hymns, which are songs of a poetic nature used to describe the Gnosis of Hermetic attainment and the ecstatic personal experience of the divine.

Just as many other settings of the sayings and doings of the Lord existed prior to and alongside of the canonical Gospels, so were there, prior to and alongside of the subsequently selected or canonical Acts, many other narratives professing to record the doings and sayings of the Apostles and Disciples of the Lord.

Just as many more sayings and doings of the Lord existed prior to and alongside the canonical Gospels, so were there, prior to and alongside the subsequently selected or canonical acts, many other narratives professing to record the doings and sayings of the apostles and disciples of the Lord. This is one such gnostic text which had been lost for centuries.

These are the remaining fragments from the otherwise lost hymns of Hermes Trismegistus. Included are the gnostic hymns: "A Triple Trisagion", "A Hymn to All-Father God", "The Secret Hymnody", "A Hymn of Grace for Gnosis", and "A Song of Praise to the Aeon". Translated with additional commentary by esoteric scholar, G. R. S. Mead.

A writer, scholar in his own right, friend, and confidant, G. R. S. Mead offers a defense of his colleague, H. P. Blavatsky. During her life, she was often accused of being a charlatan. Mead offers first-hand knowledge of working with and knowing Madame Blavatsky and speaks out against reports that attempted to discredit her.

Published in 1892, in this piece Mead explains that anyone can be a Theosophist, but in order to be considered an Occultist, the individual must be an agent of practice, not theory, and must have the wisdom to differentiate good from evil. Simply claiming to be an occultist and having basic knowledge on general subjects is not enough to truly be considered one. One of the great, underrated writers of Esoterica.

Mead notices that modern students often shrug off or dismiss the mysteries and wisdom of the ages, as unimportant. He argues that spirit is entirely absent from the religion of today, because it has been divorced from science. And, what was once considered religion to the primitive man is very different than what is considered religion now. Psychology, what he called the science of antiquity, is what is needed for the student of the mysteries to regain their foothold in the world.