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When Ada Calhoun found herself in the throes of a midlife crisis, she thought that she had no right to complain. She was married with children and a good career. So why did she feel miserable? And why did it seem that other Generation X women were miserable, too? Calhoun decided to find some answers. She looked into housing costs, HR trends, credit card debt averages, and divorce data. At every turn, she saw a pattern: sandwiched between the Boomers and Millennials, Gen X women were facing new problems as they entered middle age, problems that were being largely overlooked.

Named a Best Book of 2025 by TIME, Elle, and Marie Claire “Ada Calhoun writes with absolute clarity about the giddiest and most destabilizing feeling—the crush. This novel made me feel dizzy and I loved every second. Calhoun can seduce me any day of the week.” —Emma Straub, New York...

Inspired by her wildly popular New York Times essay "The Wedding Toast I'll Never Give", Ada Calhoun provides a funny (but not flip), smart (but not smug) take on the institution of marriage. Weaving intimate moments from her own married life with frank insight from experts, clergy, and friends, she upends expectations of total marital bliss to present a realistic - but ultimately optimistic - portrait of what marriage is really like.

From the New York Times bestselling author of Why We Can’t Sleep—and following in the footsteps of Bowling Alone and Passages—a generation-defining guide to building community and connection beyond the algorithms Ada Calhoun found herself suddenly aimless after a life spent hustling thanks...

When Ada Calhoun stumbled upon old cassette tapes of interviews her father, celebrated art critic Peter Schjeldahl, had conducted for his never-completed biography of poet Frank O’Hara, she set out to finish the book her father had started 40 years earlier. As a lifelong O’Hara fan who grew up amid his bohemian cohort in the East Village, Calhoun thought the project would be easy, even fun, but the deeper she dove, the more she had to face not just O’Hara’s past, but also her father’s and her own.