Ergebnis gesprochen von "David Timson" in Alle Kategorien

Verdi’s Falstaff repays careful study with real pleasure. It is opera’s happiest irony that the great Italian master should cap a career - distinguished for its blood-and-thunder tragic masterpieces - with the greatest comic opera in the Italian repertory. The genius of Shakespeare is harnessed (in a miracle of compression) by master-librettist Boito to give the 80-year-old Verdi a superb libretto, on which he lavished more wonderful tunes than most composers manage in a lifetime.

Pagliacci may be the most completely compelling short opera in the repertory and owes much of its impact to a brilliant story based, it is said, on true life and told through the device of a play-within-a-play. The action is set in Calabria in the deep south of Italy where the jealousies and illicit passions of a troupe of strolling actors precisely intersect with the play they are performing - to both touching and tragic effect.

Massenet’s Werther combines a deeply tender story with music of beauty and eloquence. One act alone contains two of the greatest arias in the repertoire: the mezzo-soprano aria "Va! Laisse couler mes larmes" and the tenor’s "Pourquoi me rèveiller". In their sentimental power and melodic richness these arias encapsulate the qualities that account for the universal popularity of this great work.

Così Fan Tutte contains some of Mozart’s most sublime music. On one level, the opera is purely a social anecdote about young people falling in and out of love; but Mozart was a supreme sensualist and a great humanist, and invested the tale with all his understanding of humanity and young love. In this title, David Timson refutes the charge that Mozart squandered his genius on a work full of trivial nonsense and proves this "miraculous yet problematic" opera to be a great work of theatre. To listen to this thought-provoking examination of the characters and the music is both thoroughly enriching and great fun.

Il Trovatore has been ruthlessly parodied. It is a tale of murder and mayhem, burned babies, roasted hags, would-be nuns, strolling minstrels, and bad baritones. And indeed the libretto does call for a willing suspension of disbelief. The reward is in the music, a score as prodigally melodic as only the mature Verdi could write: the "Anvil" chorus, the "Miserere" scene, two great tenor arias, a beautiful baritone aria - a richness without embarrassment.

The Barber of Seville is Rossini’s most popular opera. Its effervescent overture (written originally for another work!) presents a perfect platform for the amusing plot in which the barber, Figaro, stage-manages a romance between Count Almaviva and Rosina, and puts to flight the old suitor, Dr Bartolo. "Largo al Factotum" is one of the most popular arias in opera - nearly 200 years after its first performance it is still one of the great show-stoppers.

L’elisir d’amore, or The Elixir of Love, has remained popular for almost two centuries because of a touching tale and a galaxy of comic characters adapted from the traditional commedia dell’ arte. Above all Donizetti poured into the score all the warmth and tenderness of the Italian temperament.

In the little hamlet of Wyvern’s Cross, where good manners, tennis and tea are pivotal to the functioning of society, little Dr Bickleigh has a rather large problem: he needs to erase his insufferable wife. His meetings with Ivy are becoming tiresome, and although his burning passion for Gwynyfryd Rattery does not play out as imagined in the toolshed, there is now the infinitely superior Madeleine Cranmere to be worshipped… Resourceful but impulsive, Dr Bickleigh is consumed with the image of his goal.

A thinly disguised autobiographical novel, The Way of All Flesh is a powerful critique of late Victorian beliefs and values. It tells of several generations of the Pontifex family, with Ernest, son of hypocritical and domineering parents, at the center of its narrative. After a disastrous career in the church, culminating in a spell in prison, Ernest goes on to find his own way in the world, rejecting both Christianity and the strictures imposed by his family.

In the comfortable English Dorsetshire village of Anneypenny in the 1930s, fruit farmer Douglas Sewell–narrator of the story–sees his friend John die in agony. The death certificate states gastric ulcers but the post mortem’s revealing of poison punctures Anneypenny’s idyllic backdrop. Soon every friend and neighbour seems to harbour something suspicious. Douglas challenges his readers, or listeners, to answer the key questions before throwing out several scenarios and turning them upside-down in a tantalising path to the truth.

Charles Dickens was a master of the macabre. His stories of madness, murder and revenge, often imbued with a sympathetic moral undertone, have continued to thrill and chill fans ever since they were written. Here then are 15 tales that display the full range of Dickens' Gothic talents. "The Signalman," perhaps the most well-known, is a chilling story about a mysterious figure and its deathly omen. "The Haunted Man and the Ghost's Bargain" shows the consequences for those who make deals with the dead. Listen for more.

A palmist’s prediction leads to murder; an enigmatic woman’s lifestyle is a mystery to be solved; a ghost tries to frighten the new tenants of his home; a man has discovered the dedicatee of Shakespeare’s Sonnets; a millionaire wants to be painted as a pauper. Lord Arthur Savile’s Crime and Other Stories is a collection of fascinating short stories which are subversive as well as entertaining.

Dr Watson comments: 'The stage lost a fine actor' when Holmes chose to devote his formidable talents to the solution of crime. Two of these stories, "The Reigate Squire" and "The Adventure of Beryl Coronet", Sherlock Holmes demonstrates his thespian powers as he unravels the mysteries.

When Sherlock Holmes met his demise in "The Adventure of the Final Problem," published in 1893, the distress of the unsuspecting reading public was profound. For years fans showed no signs of letting Sherlock Holmes lie down and die. Eventually, Doyle saw fit to continue his Holmes' canon and wrote a series of 13 short stories, The Return of Sherlock Holmes, published in 1905.

In the course of their investigation into Leonardo da Vinci, Lynn Pickett and Clive Prince found clues about his strangely passionate belief in the importance of John the Baptist. Here, along with a reassessment of the significance of Mary Magdalene and the sacred feminine, the authors reveal that Da Vinci’s apparently peculiar religion was shared by the Knights Templar. And their profoundly heretical belief that the Baptist was superior to Jesus himself still has the power to pose a threat to the very foundations of the Christian Church….

Elizabeth Gaskell’s biography of her friend Charlotte Brontë—the first full-length biography of a woman novelist by a woman novelist—is a true classic. It transports us with a deft hand straight into 19th-century Haworth, Yorkshire and crafts an extensive account of Brontë’s life, quoting throughout from letters she sent and received. From her challenging, isolated childhood to her death shortly before the age of 39, newly married and pregnant, the enigmatic author of Jane Eyre is portrayed with enormous care.

The Uncommercial Traveller is the persona of Dickens for this collection of semi-autobiographical sketches. A kind of Victorian blogger, he is funny and affecting by turns as he recounts what he sees and wonders at its meaning. Whether laying bare ‘a wilderness of dirt, rags, and hunger’ or musing on the ‘moodiness’ of tom-cats; recounting Mr Indignation Cocker’s sherry bill or simply taking us by the hand as he goes about his ‘no-business’ in London and further afield, he brings the warmth, compassion and fleet-footed wit that infuse his novels.

Although now beloved and revered by millions as the greatest composer who ever lived, Johann Sebastian Bach (1685–1750) was best known in his lifetime as an organist, and was eclipsed in fame as a composer by two of his twenty children. For the last twenty-seven years of his life he was a schoolteacher and choir director whose duties extended to meal supervision and dormitory inspection. Yet throughout his career he composed a vast body of music which is amongst the most joyful, dancing and enrapturing ever written.

Monteverdi’s Orfeo, first performed in 1607, generates a special excitement because it is the first unquestioned masterpiece of opera. Notable for its precise orchestration and powerful drama it was a groundbreaking work. It concerns the legend of Orpheus, the demigod whose music had the power to conquer the forces of Hell and to bring his wife back, briefly, to life. The extracts used in this introduction are from Naxos’ full recording; it uses authentic period instruments, which serve to evoke the early Baroque period of the opera’s composition.

This is a story from the The Adventures of Sherlock Holmes I collection.