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How far would you go for your best friend? If she begged you to, would you kill her? Nathan Lucius, 31, is an ad salesman at a local Cape Town newspaper. Disaffected, hard-drinking and plagued by nightmares, Nathan lives alone with only one true friend, a woman named Madge. But Madge is dying slowly of cancer, and when she asks Nathan to end her pain, she sets off a shocking string of events.

At 18 Angélique Latham is her father's closest, most trusted child, schooled in managing their grand estate. But when he dies, her half-brothers brutally turn her out. Unable to secure employment without connections, Angélique desperately makes her way to Paris, where she rescues a young woman fleeing an abusive madam. With her upper-class breeding, her impeccable style and her father's bequest, Angélique creates Le Boudoir, soon a sensational establishment where powerful men, secret desires and beautiful women come together.

A panoramic novel of men and machines, Kiteworld presents a future world in which sturdy, highly trained crews launch daring pilots into the stratosphere, borne aloft on giant Cody manlifter kites to watch the horizon and the skies for demonic monsters strikingly suggestive of guided missiles and aircraft. Intense, detailed, and meticulously observed, the world of the novel is a future in which our world,after a catastrophe that has severed humanity from its past, is such a vague memory that details survive only as myth.

Tales of brave and selfless deeds used to be part of every boy's education. We grew up sharing stories with our fathers, uncles, and grandfathers of how other men had lived their lives, met their challenges, reached their goals, and faced their deaths. Becoming a man was about comradeship and standing by your friends whatever the circumstances. And it meant that sometimes it was more important to die a hero than live a coward's life. Through Neil Oliver's vivid, stirring accounts we can rediscover the stories that inspire men to perform acts greater than themselves.

James Sallis moves with ease among genres and modes: novels, stories, poetry, criticism, musicology, biography, translation. Best known perhaps as a crime writer—author of Drive and the six Lew Griffin novels along with others—his first acclaim came in the 1960s from groundbreaking short stories in science fiction publications like Michael Moorcock’s New Worlds, for which he served for a time as editor, and Damon Knight’s Orbit anthologies.