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Produced in New York, Murder at Midnight came to ABC Radio in September of 1946 and featured horror stories with supernatural twists. Raymond Morgan, a former Long Island minister who had left the cloth for the excitement of radio, was the foreboding host who each week uttered the lines, "Midnight, the witching hour, when the night is darkest, our fears the strongest, and our strength at its lowest ebb. Midnight, when the graves gape open and death strikes."

The Falcon radio series aired from 1943 until 1954. "The Falcon" was an alternate identity for detective Michael Waring. Like the Falcon movies, the radio plots mixed danger, romance, and comedy in equal parts. Each show began with a telephone ringing and Michael Waring, the Falcon, answering the phone. Speaking with a woman whose voice was never heard, Waring would explain that he had an urgent situation he had to deal with.

Broadway Is My Beat was a dark, gritty radio crime drama that ran on CBS from 1949 until 1954. The series was originally broadcast from New York, with Anthony Ross portraying Times Square Police Detective Danny Clover. Produced by Lester Gottlieb, it was directed by John Dietz. But by the 13th episode, the series moved to Hollywood (still set in NYC) with producer Elliott Lewis directing a new cast, with scripts by Morton Fine and David Friedkin (the duo that would later write and develop TV's popular secret-agent series I Spy).

Raymond Chandler's celebrated hard-boiled private eye, Philip Marlowe, made his radio debut in 1945 on the Lux Radio Theatre with Murder, My Sweet, starring Dick Powell. Two years later NBC brought the character to the air in his own weekly series starring Van Heflin, The New Adventures of Philip Marlowe. A summer replacement for The Bob Hope Show, the series was short lived, ending on September 9, 1947.

This collection spotlights the iconic Orson Welles in nine of his works from the golden age of radio. These radio dramas, airing from 1938 through 1951, are among his very best and can be enjoyed for years to come. Armed with the nickname the "Boy Genius", Orson Welles graduated from the New York stage to expand his creative talents in the radio industry, hoping to use the audio medium to promote his stage ventures.

It's 1875, and Paladin lives at the swanky Carlton Hotel in San Francisco, where he dresses in formal wear, eats gourmet food, attends the opera, has a Chinese valet named Hey Boy, and enjoys the company of beautiful women. When working as a gun for hire, he dresses entirely in black, uses calling cards, and wears a holster decorated with a chess knight emblem—a symbol that refers both to his name and to his occupation as a champion for hire.

The Whistler was one of radio's top mystery programs, airing from May 16, 1942 until September 22, 1955. The Whistler was an ominous narrator who opened each episode with, "I am the Whistler, and I know many things, for I walk by night. I know many strange tales, many secrets hidden in the hearts of men and women who have stepped into the shadows. I know the nameless terrors of which they dare not speak."

First heard on network radio in 1948, Yours Truly, Johnny Dollar chronicled the adventures of freelance insurance investigator Johnny Dollar, "the man with the action-packed expense account". For 14 years, it was one of the most popular detective shows on the air, lasting until the final days of network radio drama in 1962. Each story started with a phone call from an insurance executive calling on Johnny Dollar to investigate an unusual claim.

Like Mike Hammer and Philip Marlowe, Shayne is a loner. Once happily married, Mike is devastated when his wife is suddenly and tragically murdered. Grief stricken, Shayne loses himself in his work as a private eye, prowling the dark streets of New Orleans, seeking out his style of revenge on injustice.

Conceived as a potential radio vehicle for Alfred Hitchcock to direct, Suspense was a radio series of epic proportion. It aired on CBS from 1942 to 1962 and is considered by many to be the best mystery drama series of the golden age. Often referred to as "Radio's Outstanding Theater of Thrills", it focused on suspenseful thrillers starring the biggest names in Hollywood.