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La Traviata owes its enduring popularity to a superb story of young love and fatal sacrifice, set to music by Italy’s master melodist at the peak of his powers. Interest and poignancy are added by the fact that this is a true story - the baritone ‘heavy’ is Alexander Dumas who wrote The Count of Monte Cristo. But it is the central figure, the heroine Violetta, the archetypal ‘whore with the heart of gold’ who dominates the piece. It is her opera and we love her for it.

La sonnambula was written by Bellini as a vehicle for two of the supreme singers of his age and accordingly is a fine example of the school we call bel canto, where beauty of voice and the virtuosity of the singers is integral to conveying the emotions in the soul of the composer. The fact that Bellini was one of the great melodists, writing long, beautiful vocal lines, that he was a master orchestrator and that he could write stirringly for the chorus all conspire to make La sonnambula extremely enjoyable.

Fidelio is a work like no other. Beethoven’s only opera is about the joy of married love - by a man who never knew that pleasure. It is about heroism by a man who was often mean and petty in his human relations; it is about freedom by a man who was a prisoner of his own deafness; and ultimately it is about joy by a man who experienced precious little of it.

L’elisir d’amore, or The Elixir of Love, has remained popular for almost two centuries because of a touching tale and a galaxy of comic characters adapted from the traditional commedia dell’ arte. Above all Donizetti poured into the score all the warmth and tenderness of the Italian temperament.

Rossini’s comic operas, like The Barber of Seville, are better known than his tragedies though he wrote in fact many more tragedies than comedies. One of them, his last, William Tell, is actually credited with launching the whole age of Grand Opéra. Tancredi is an early work - indeed his first smash hit - and it established his international fame.

Based on the simple yet deeply moving legendary tale of Orpheus, who loses his beloved wife to death but is able to restore her through the power of his music, Orfeo ed Euridice is among the earliest operas to hold a secure place in the repertory. Gluck lavishes a wealth of beautiful melody on this tale, whose appeal to composers is obvious; yet the abiding strength lies in the power and majesty of his inspiration, whether in the solos, the choruses, or the ballet music.

Verdi’s Falstaff repays careful study with real pleasure. It is opera’s happiest irony that the great Italian master should cap a career - distinguished for its blood-and-thunder tragic masterpieces - with the greatest comic opera in the Italian repertory. The genius of Shakespeare is harnessed (in a miracle of compression) by master-librettist Boito to give the 80-year-old Verdi a superb libretto, on which he lavished more wonderful tunes than most composers manage in a lifetime.

Pagliacci may be the most completely compelling short opera in the repertory and owes much of its impact to a brilliant story based, it is said, on true life and told through the device of a play-within-a-play. The action is set in Calabria in the deep south of Italy where the jealousies and illicit passions of a troupe of strolling actors precisely intersect with the play they are performing - to both touching and tragic effect.

Massenet’s Werther combines a deeply tender story with music of beauty and eloquence. One act alone contains two of the greatest arias in the repertoire: the mezzo-soprano aria "Va! Laisse couler mes larmes" and the tenor’s "Pourquoi me rèveiller". In their sentimental power and melodic richness these arias encapsulate the qualities that account for the universal popularity of this great work.

Così Fan Tutte contains some of Mozart’s most sublime music. On one level, the opera is purely a social anecdote about young people falling in and out of love; but Mozart was a supreme sensualist and a great humanist, and invested the tale with all his understanding of humanity and young love. In this title, David Timson refutes the charge that Mozart squandered his genius on a work full of trivial nonsense and proves this "miraculous yet problematic" opera to be a great work of theatre. To listen to this thought-provoking examination of the characters and the music is both thoroughly enriching and great fun.

Il Trovatore has been ruthlessly parodied. It is a tale of murder and mayhem, burned babies, roasted hags, would-be nuns, strolling minstrels, and bad baritones. And indeed the libretto does call for a willing suspension of disbelief. The reward is in the music, a score as prodigally melodic as only the mature Verdi could write: the "Anvil" chorus, the "Miserere" scene, two great tenor arias, a beautiful baritone aria - a richness without embarrassment.

The Barber of Seville is Rossini’s most popular opera. Its effervescent overture (written originally for another work!) presents a perfect platform for the amusing plot in which the barber, Figaro, stage-manages a romance between Count Almaviva and Rosina, and puts to flight the old suitor, Dr Bartolo. "Largo al Factotum" is one of the most popular arias in opera - nearly 200 years after its first performance it is still one of the great show-stoppers.

Charles Dickens was a prolific writer of letters throughout his life. There are extant more than 13,000 letters that he wrote to friends, family, fellow authors, and actors as well as many letters written to people involved in good causes he espoused. In the hands of actor and writer Simon Callow, one of the most prominent Dickens interpreters of our time, this informative and entertaining selection shows Dickens in his many guises. We know Charles Dickens the author, but these letters offer a fascinating glimpse into Charles Dickens the man.

Penguin Classics presents Anthony Trollope's Barchester Towers, adapted for audio and now available as a digital download as part of the Penguin English Library series. Read by the actor David Timson. 'What! to come here a stranger, a young, unknown, and unfriended stranger, and tell us, in the...

Dickens’ renowned skill for keen social observation and, more specifically, his incredibly detailed knowledge of London and its theatres, prisons and inns is perfectly released in Sketches by Boz. Many of the themes he goes on to explore in his great novels are foreshadowed in this early collection of short accounts that center on London and its inhabitants.

Here are the favorites from Lewis Carroll, Jonathan Swift, William Shakespeare, and more. And that is not to forget perhaps the greatest of them all: Anon. There are ballads, sonnets, proverbs, and nonsense verse. Poems to inform, divert, satirize, castigate and praise. A collection to make all listeners smile, laugh, remember and discover.

Naxos AudioBooks presents the history of the Plantaganets as seen through the eyes of Shakespeare. These easy-to-understand introductions feature key speeches and scenes from the plays themselves, and are very accessible for children approaching Shakespeare for the first time, as well as being an invaluable aid to the history of the Plantaganets, from Richard II to Richard III. This set covers Richard II, Henry IV parts 1 and 2, Henry V, Henry VI parts 1, 2, and 3, and Richard III.

Here are the six final stories from The Innocence of Father Brown relating the crime-solving adventures of a rather unconventional detective. Having accumulated wisdom and empathy from years of listening to the dark confessions of his parishioners, in a flash Father Brown is able to solve mysteries that confound all others.

The plays of William Shakespeare, and his famous lines, are part of the national consciousness. There may be few solid facts about Shakespeare the man, and yet not only do we want to know all about him - we feel, through his plays, we do.

The rich life Sir Arthur Conan Doyle (1859-1930) is featured here: His work as a doctor, his novels and journalistic writings, his support of Spiritualism and his defense of fairies. This is a unique set for the 150th anniversary of his birth. After his early years in medicine, the writing talents of Arthur Conan Doyle took over. Sherlock Holmes and Professor Challenger were among his successes.