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James Allen's From Poverty to Power (1901) and As a Man Thinketh (1902) stand as seminal texts in the self-help genre that have served as sources of inspiration since their publication at the beginning of the 20th century. Loosely based in its principles around the Biblical proverb "As a man thinketh in his heart, so is he," As a Man Thinketh asserts the powerful idea that belief is central to bringing about positive events in one's life.

The average individual is far more likely to die in a car accident than from a communicable disease...yet we are still much more fearful of the epidemic. Even at our most level-headed, the thought of an epidemic can inspire terror. As Philip Alcabes persuasively argues in Dread, our anxieties about epidemics are created not so much by the germ or microbe in question - or the actual risks of contagion - but by the unknown, the undesirable, and the misunderstood.

Pop diva Clarion Calhoun has packed the house with her celebrity appearance in Bath’s Theatre Royal production of I Am a Camera. But within moments of her much-anticipated onstage appearance, she’s pulled out of character as she screams and claws at her face. When tainted stage makeup is found to have caused the disfiguring burn, fingers point to her makeup artist. Detective Superintendent Peter Diamond investigates when the makeup artist is found dead, pushed from a catwalk far above the stage.

In 1956, 23-year-old Colin Clark began work as a lowly assistant on the set of The Prince and the Showgirl, the film that united Sir Laurence Olivier with Marilyn Monroe. The blonde bombshell and the legendary actor were ill suited from the start. Monroe, on honeymoon with her new husband, the celebrated playwright Arthur Miller, was insecure, often late, and heavily medicated on pills. Clark was perceptive in his assessment of what seemed to be going wrong in Monroe's life and became her confidant and ally.