Showing titles in Library & Museum Studies

Although dinosaur fossils were first found in England, a series of dramatic discoveries during the late 1800s turned North America into a world center for vertebrate paleontology. At the same time, the United States emerged as the world’s largest industrial economy, and creatures like tyrannosaurus, brontosaurus, and triceratops became emblems of American capitalism. Large, fierce, and spectacular, American dinosaurs dominated the popular imagination, making front-page headlines and appearing in feature films.

Este Boletim apresenta uma coleção de artigos selecionados pelo Conselho Editorial do Museu Histórico de Jataí Francisco Honório de Campos, com o intuito de valorizar trabalhos de alta qualidade e seus respectivos autores. Coordenado pelo Historiador Professor Dr. Murilo Borges Silva (UFJ), o processo de análise e seleção culminou na escolha de cinco artigos que abordam temas variados e relevantes.

日本が当事国であった戦争を知る世代が少なくなるなか，忘れてはならない記録と記憶の継承を志す場があり，人がいる．戦争の時代を生きた人間を描くノンフィクションを多数ものしてきた作家が，各地の平和のための博物館を訪ね，そこで触れた土地の歴史と人びとの語りを伝える．

In The Politics of Collecting, Eunsong Kim traces how racial capitalism and colonialism situated the rise of United States museum collections and conceptual art forms. Investigating historical legal and property claims, she argues that regimes of expropriation—rather than merit or good...

माणूस जन्माबरोबरच कुतूहल सुद्धा घेऊन येतो. दिवा कसा लागतो? पाटाचं लाकूड कुठून येतं? गॅस कसा पेटतो? फरशी कशाची...

तिसरे महायुद्ध म्हणता येईल असा लढा संपूर्ण जग एका अतिसूक्ष्म विषाणूशी देत आहे. करोना आला कोठून, पसरला कसा...

Bloomsbury presents Just Plain Filthy by Anthony Aycock, read by John Chancer. With the threat to intellectual freedom increasing around the country, this book takes a look at the first ever school book ban case to be decided by the high courts, and offers insights into how we can use history to...

In 1980, Katina Strauch started the Charleston Conference: Issues in Book and Serial Acquisition to bring together librarians, publishers, and vendors to discuss issues shared by the three groups. The meeting has continued annually and boasts over 3,000 attendees in person and virtually. This memoir is Katina’s diary and story of the Charleston Conference and its development concurrently with her career as a professional librarian.

La polémica evacuación de sus obras maestras durante la guerra civil por el Gobierno de la República. El estallido de la guerra civil no solo trastornó radicalmente la vida y destino de todos los españoles, sino que provocó un auténtico terremoto en el patrimonio histórico y...

A manifesto on the state of the non-profit arts sector and the once-in-a-lifetime opportunity leaders have to redefine the business as an investment in our shared humanity.

Manuel Ruiz del Corral aporta una novedosa visión de la tecnología y de la profunda transformación que esta trae consigo desde una perspectiva humanista, reivindicando un papel menos superficial y más reflexivo sobre la importancia de las personas y sus valores más esenciales, ante una...

The days when museums were dusty, stuffy institutions displaying their wealth and wisdom to a reverential public are over. Museums today are a cultural battleground. Who should decide what is put on display and how it is presented? Who gets to set the narrative? In this passionately argued book, Jon Sleigh maintains that museums must be for all people and inclusion must be at the heart of everything they do.

The unbelievable true story of how one man stole tens of thousands of priceless artifacts and human remains from around the world—and the FBI’s massive undertaking to set things right. In The Grave Robber, Tim Carpenter, former FBI Lead Investigator on the Art Crime Team, recounts one of the...

La conmovedora historia de un vigilante de museo que encuentra consuelo y significado en su día a día entre los pasillos del Museo Metropolitano de Arte. Una obra imprescindible para los amantes del arte. Millones de personas suben cada año la gran escalinata de mármol para visitar el Museo...

An illuminating exploration of the relationship between the restitution of looted art, global status, and the international construction of national cultural heritage. Why is art restitution a matter of politics? How does the artwork displayed in national museums reflect the international status...

The intimate, inspiring memoir of a “curator extraordinaire” (The Guardian)—part unputdownable coming-of-age story, part insider’s tour of the contemporary art world, part user’s manual on how to live a life driven by curiosity, conversation, and coincidence “A few years ago...

The Louvre is more than the world’s largest art museum. It is a fortress, a palace, a treasure house of revolutions, and a stage for mysteries that continue to fascinate millions. To step inside its echoing halls is to journey through nearly a thousand years of history—where monarchs once schemed, artists found inspiration, and the world’s most famous masterpieces found their home. In Masterpieces and Mysteries, architectural historian Caspar Dene takes you far beyond the crowds gathered at the Mona Lisa.

The story of the making, loss, and recovery of some of the greatest treasures of antiquity, raising questions about ancient mosaic art and its creation, the work of archaeology, and museum practice. In 1932, after years of fundraising and flurries of letters back and forth, an archaeological...

A history of libraries and the people who built them, from the ancient world to the digital age. “Engaging [and] ambitious” —The Washington Post Famed across the known world, jealously guarded by private collectors, built up over centuries, destroyed in a single day, ornamented with gold...

Shortly after the turn of the twentieth century, the Metropolitan Museum of Art began an ambitious program of collection building and physical expansion that transformed it into one of the world’s foremost museums, an eminence that it has maintained ever since. Two men of singular qualities and accomplishments played key roles in the Met’s transformation—J. P. Morgan, America’s leading financier and a prominent art collector, and Roger Fry, the headstrong English expert in art history who served as the Met’s curator of painting.