Ergebnis für "Top Girls" in Alle Kategorien

It's the middle of the high-flying, go-getting 80s in Maggie Thatcher's England, and Marlene has something to celebrate: she has just been made managing director of the Top Girls Employment Agency. But with no friends to speak of, and a past she'd just as soon forget, the guests at Marlene's party are a collection of famous women from history. Soon Marlene discovers that life above the glass ceiling is not all it's cracked up to be. This is a bold, searing comedy from an Olivier Award-winning playwright.

Zum Zeitpunkt ihres Todes hat die Presse viel über Ingrid Olssen geschrieben: Sie war eine weltberühmte Künstlerin. Sie war eine furchtbare Mutter für ihre Töchter Mattie und Nora. Und ihr Vermächtnis würde für immer weiterleben. Doch es ist unwahrscheinlich, dass die Welt jemals eine weitere Ingrid Olssen-Ausstellung sehen wird – ihr letzter Wunsch war, ihre Asche in den Canyon und ihre Bilder ins Meer zu werfen. Mattie und Nora wuchsen unter den Augen der Öffentlichkeit auf und leben völlig unterschiedliche Leben.

Danielle has a safe, happy childhood growing up in West London, but her bright future fades as she turns her back on school for gang life and crime. Betrayed by the police after a brutal gang rape, she finds protection under the wing of organised criminals and falls in love with the local ‘top boy’. However, her allegiances bring terror to her doorstep when gun-toting rivals target her flat – and the authorities answer by taking away her baby. Heartbroken, Danielle spirals deeper into gang life and becomes a key player in a sprawling county lines operation.

So, you got fired, laid off, restructured, canned. Welcome to the club, baby! In today’s seismically changing job market, getting fired doesn’t automatically mean you failed; it’s a rite of passage. With their decades of experience in high-stakes leadership roles, Laura Brown and Kristina O’Neill know firsthand the challenges—and thrilling opportunities—that come with losing a job, no matter where you are in your career. They’ve been through the shock, grief, anger, and confusion, and they’re here to help you navigate the experience.

Sophie Passmann hat mit "Pick me Girls" nicht nur ihr persönlichstes Buch geschrieben, sondern auch eine kluge Auseinandersetzung mit dem männlichen Blick. Ihr Memoir zeichnet ein stellvertretendes Frauenleben nach und wirft die Frage auf: Welche Version von ihr selbst hätte Sophie Passmann sein können, wenn das Patriarchat nicht existieren würde? Warum wir alle "pick me girls" sind und welche Unmöglichkeiten Sophie Passmann und höchstwahrscheinlich auch jede andere Frau im Laufe ihres Lebens ertragen muss, das seziert Sophie Passmann so scharf und klug wie keine andere.

Kalifornien, 1969. Evie Boyd ist vierzehn und möchte unbedingt gesehen werden - aber weder die frisch geschiedenen Eltern noch ihre einzige Freundin beachten sie. Doch dann begegnet sie den Girls. Junge Frauen, die nicht von dieser Welt scheinen. Ihr lautes, freies Lachen. Das Haar lang und unfrisiert. Die ausgefransten Kleider. Unter ihnen ist auch die ältere Suzanne, der Evie verfällt. Mit ihnen zieht sie zu Russell, einem Typ wie Charles Manson, dessen Ranch tief in den Hügeln liegt. Gerüchte von Sex, wilden Partys, Einzelne, die plötzlich ausreißen. Evie gibt sich der Vision grenzenloser Liebe hin und merkt nicht, wie der Moment naht, der ihr Leben für immer zerstören könnte. Suzanne von Borsody liest Emma Clines Debüt mit sanfter, dunkler Stimme - sinnlich, verstörend, eindringlich.

In this blazing, razor-sharp takedown of popular culture in the twenty-first century, Girl on Girl turns 90s and 00s nostalgia on its head, and shows how the media of that era repackaged the feminist movement as a containable, commodifiable (and hugely successful) product: 'Girl Power'. From the Spice Girls to the Kardashians, to #GirlBoss and OnlyFans, Pulitzer Prize-finalist Sophie Gilbert illustrates how the cultural forces of the last few decades have systematically shaped - and warped - women's relationships with themselves and other women.

Northern California, during the violent end of the 1960s. At the start of summer, a lonely and thoughtful teenager, Evie Boyd, sees a group of girls in the park and is immediately caught by their freedom, their careless dress, their dangerous aura of abandon. Soon Evie is in thrall to Suzanne, a mesmerizing older girl, and is drawn into the circle of a soon-to-be infamous cult and the man who is its charismatic leader.

You live on a picturesque communal garden square, an oasis in urban London where your children run free, in and out of other people's houses. You've known your neighbours for years, and you trust them. Implicitly. You think your children are safe. But are they really? Midsummer night: a 13-year-old girl is found unconscious in a dark corner of the garden square. What really happened to her? And who is responsible?

Best-selling authors Sarina Bowen & Elle Kennedy return with their first Male/Male romance in 3 years. LobsterShorts, 21. Jock. Secretly a science geek. Hot AF. SinnerThree, 21. Finance major. Secretly a male dancer. Hot AF. LobsterShorts: So. Here goes. For her birthday, my girlfriend wants…a threesome. SinnerThree: Then you’ve come to the right hookup app. LobsterShorts: Have you done this sort of thing before? With another guy? SinnerThree: All the time. I’m an equal opportunity player. You? LobsterShorts: [crickets!]

Karina Manta has had a busy few years: Not only did she capture the hearts of many with her fan-favorite performance at the US Figure Skating Championships, she also became the first female figure skater on Team USA to come out as queer. Her Modern-Love essay "I Can't Hate My Body if I Love Hers" was published in The New York Times, and then she joined the circus - Cirque du Soleil's on-ice show, AXEL. Karina's memoir covers these experiences and much more.

Charlie Hudson, an autistic 17-year-old, is determined to leave Sawyer, PA, as soon as she graduates high school - in the meantime, she works as many hours as she can at a sandwich shop called The Triple S to save money for college. But when shop owner Clay Cooper - a man who is both respected and feared by many in this economically depressed community - is found dead, each member of his staff becomes a suspect in the perplexing case. Charlie must work to protect herself and her friends, and uncover the danger that may still be at large in their tightknit community.

Als Einzige hat die Studentin Quincy ein Massaker auf einer Party überlebt. Sie hat jede Erinnerung an damals aus ihrem Gedächtnis gelöscht und sich mühsam ein normales Leben aufgebaut. Zwei andere Frauen, Lisa und Samantha, haben ähnlich Grauenvolles durchgemacht – ein Fest für die Medien, in denen die drei als »Final Girls« bekannt werden. Doch der Horror ist noch lange nicht zu Ende: Lisa wird tot aufgefunden. Ermordet? Der Schlüssel zu allem scheint in dem Massaker in Pine Cottage zu liegen, das nur Quincy überlebte.

It’s the summer of ’96 and best friends (and secret girlfriends) Hannah and Sam are driving across the country from Long Beach, New York, to the fabled queer paradise of San Francisco, free from the harsh gazes of their neighbors and the stifling demands of Hannah’s devout Orthodox Jewish mother. In San Francisco, they will finally be together as a real couple, out in the open, around other queer people . . . even if the move means leaving behind Hannah’s beloved Bubbe.

What happened to feminism in the twenty-first century? This question feels increasingly urgent after a period of cultural and legislative backlash, when widespread uncertainty about the movement’s power, focus, and currency threatens decades of progress. Sophie Gilbert identifies an inflection point in the late 1990s and early 2000s, when the energy of third-wave and “riot grrrl” feminism collapsed into a regressive period of hyper-objectification, sexualization, and infantilization.

When nine-year-old best friends Charlie and Amy disappear, two families are plunged into a living nightmare. A text message confirms the unthinkable; that the girls are the victims of a terrifying kidnapping. And when a second text message pits the two families against each other for the life of their children, the clock starts ticking for D.I. Kim Stone and the squad.

In the 1970s, the girls were best friends sharing a house and good times: Zara, the famous diva actor; Val, the uptight solicitor; Jackie, the wild child and Pauline, the quirky introvert. Now they're in their twilight years, and Zara suggests that they live with her to support each other through old age. Initially, being housemates again is just as much fun as in their heyday. But then Zara reveals the real reason she asked them to move in with her, and suddenly things take a sinister turn.

This program is read by an all-queer cast: the author, Hayley Kiyoko; Natalie Naudus; Malia Pyles; Katie Gavin; and Brandon Flynn. "This quaint performance by a five-narrator ensemble will tug at the heartstrings."- AudioFile Trailblazing pop star, actor and director, Hayley Kiyoko debuts her...

Was, wenn Gefühle zuzulassen bedeutet, alles zu riskieren? Hayley Kiyoko, bahnbrechender Popstar, Schauspielerin und Regisseurin, veröffentlicht ihr erstes Buch - ein Coming-Of-Age Romance Roman basierend auf ihrer Hitsingle GIRLS LIKE GIRLS. Es ist Sommer und nach dem Tod ihrer Mutter fühlt sich die siebzehnjährige Coley allein. Bis sie Sonya trifft, in die sie sich Hals über Kopf verliebt. Immer wenn die beiden allein sind, spürt Coley, dass Sonya ihre Gefühle erwidert. Doch in Gesellschaft anderer vermag Sonya nicht zu Coley zu stehen.

With their decades of experience in high-stakes leadership roles, Laura Brown and Kristina O’Neill know firsthand the challenges—and thrilling opportunities—that come with losing a job, no matter where you are in your career. They’ve been through the shock, grief, anger, and confusion, and they’re here to help you navigate the experience. All the Cool Girls Get Fired is both a roadmap and a mindset shift—a pragmatic, empowering and humorous way to make lemonade from lemons.