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One small handwritten letter, sent from a dark, remote corner of the planet and lost in the system for 60 years, is about to change the entire human race. Outside Denver, Colorado, Joe Rickards stands over a small aircraft wreckage, studying burnt remains still smoldering in a field of freshly fallen snow. He's an investigator for the NTSB, working to carefully roll back the last several hours and identify the cause of the accident. But this time, he can't.

Seventeen-year-old Avery Anderson is convinced her senior year is ruined when she's uprooted from her life in DC and forced into the hostile home of her terminally ill grandmother, Mama Letty. The tension between Avery’s mom and Mama Letty makes for a frosty arrival and unearths past drama they refuse to talk about. Every time Avery tries to look deeper, she’s turned away, leaving her desperate to learn the secrets that split her family in two.

In a race against time, behind enemy lines, often unarmed, a special force of American and British museum directors, curators, art historians, and others, called the Monuments Men, risked their lives scouring Europe to prevent the destruction of thousands of years of culture.

Half a century ago, an aberration was spotted by one of our earliest satellites, and summarily dismissed as a hardware malfunction. But it was no aberration. And no malfunction. It was an accidental glimpse of something extraordinary, and very old. Mocked for decades, the man who designed the satellite is now dead. With the system's original data firmly in the hands of former NTSB investigator Joe Rickards and anthropologist Angela Reed.

Every Monument Will Fall offers an urgent reappraisal of how we think about culture, and how to find hope, remembrance and reconciliation in the fragments of an unfinished violent past. Refusing to choose between pulling down every statue, or living in a past that we can never change, the book makes the case for allowing monuments to fall once in a while, even those that are hard to see as monuments, rebuilding a memory culture that is in step with our times.

Outside Denver, Joe Rickards stands over a small aircraft wreckage, studying burnt remains still smoldering in a field of freshly fallen snow...an investigator for the NTSB, working to carefully roll back the last several hours and identify the cause of the accident. But this time, he can't. The details behind this tragedy don't add up. Unlike every other investigation of Joe's career, the facts make no sense. Each new piece of information only makes the accident more mysterious, and more baffling.

Someone is watching. Someone is waiting. Despite having attracted the attention of a dangerous stalker, Special Agent Jason West is doing his best to keep his mind on his job and off his own troubles. But his latest case implicates one of the original Monuments Men in the theft and perhaps destruction of part of the world's cultural heritage - a lost painting by Vermeer...Jason is determined to clear his grandfather's name, even if that means breaking a few rules and regulations himself - putting him on a collision course with romantic partner BAU Chief Sam Kennedy.

As Hitler was attempting to conquer the western world, his armies were methodically pillaging the finest art in Europe, from Michelangelos to Vermeers, all stolen for the Führer. The Monuments Men had a mandate from President Roosevelt to find these artworks, but no vehicles, typewriters, or authority. In a race against time to save the world’s greatest cultural treasures from destruction at the hands of Nazi fanatics, each man constructed his own treasure map....

In about 1450 AD, an exceedingly prosperous generation of Native Americans, known then as the Anasazi, vanished from their strongholds in the American Southwest--disappeared without so much as a trace. However, the Native Americans of the present day Navajo Nation dispute the theoretical findings of modern day archeologists and anthropologists.

The Tour de France may provide the most obvious fame and glory, but it is cycling’s one-day tests that the professional riders really prize. Toughest, longest and dirtiest of all are the so-called ‘Monuments’, the five legendary races that are the sport’s equivalent of golf’s majors or the grand slams in tennis. Milan–Sanremo, the Tour of Flanders, Paris­–Roubaix, Liège–Bastogne–Liège and the Tour of Lombardy date back more than a century, and each of them is an anomaly in modern-day sport. Peter Cossins tells the history of these extraordinary races and the riders they have immortalised.

Die Römer entwickelten im Laufe der Zeit eine immense Virtuosität auf der Klaviatur der Maßnahmen, mit denen sie sich fremde Völker Untertan machen konnten. Oft führte dies, nach Gegenwehr und gewaltsamen Auseinandersetzungen, zu einer Übernahme römischer Lebensweise - auch bei den Germanen. Dies gipfelte dann in der Gründung von städtischen Siedlungen in den Provinzen nach reichsweit gültigen Mustern. Wie aber sahen diese Muster aus, und was von ihnen zeigt sich auch unseren Augen noch, 2000 Jahre später? Das Hörbuch begibt sich auf die Spuren der Römer in Deutschland.

At the same time Adolf Hitler was attempting to take over the Western world, his armies were seeking and hoarding the finest art treasures in Europe. He had begun cataloguing the art he planned to collect as well as the art he would destroy: "degenerate" works he despised. A special force of American and British museum directors, curators, art historians, and others, called the Monuments Men, risked their lives scouring Europe to prevent the destruction of thousands of years of culture.

In ferner Zukunft: Darienne Roya lebt in Terrania-City, der Hauptstadt der Erde, in der fast hundert Millionen Menschen friedlich zusammenleben. Und obwohl die Raumschiffe der geheimnisvollen Terminalen Kolonne das Sonnensystem belagern, führt Darienne ein durchschnittliches Leben, bei dem nur ihr Hobby - sie liebt das Bogenschießen - besonders auffällt.

When a body is found draped over Swanage’s iconic Globe monument, DCI Lesley Clarke is called in. A message points to the motive: Go Home. Is this a hate crime? Or something closer to home? Lesley must find the killer before he or she strikes again, all while dealing with a mutiny in her team and political pressure from her boss. At the same time, a local journalist has been investigating the death of Lesley's predecessor — and claims to have key information. Wary of involving her team, Lesley brings in her old colleague Zoe Finch to help.

As the novel opens, “Violaine” returns to Paris from her adopted home of New York City to visit her dying father for the last time. And as his conversation once again obsessively circles the story of his father’s rise and fall during the war, Violaine, who always felt herself and her mother to be exiles within their own clan, becomes herself obsessed with this myth of her grandfather Georges – and especially with the nearly erased story of the most significant of his many mistresses, a beautiful and aristocratic woman named Choute.

In the past the elders had encyclopaedic memories. They could name all the animals and plants across the landscape and the stars in the sky, too. Yet most of us struggle to memorise more than a short poem. Using traditional Aboriginal Australian songlines as the key, Lynne Kelly has identified the powerful memory technique used by indigenous people around the world.

In this coming-of-age memoir we meet Richard, a handsome, charming, mischievous, great guy with a fondness for the 1980s party drug of choice, cocaine. Yvonne is 11 years younger, awkward, terrified of her own shadow and even more frightened by the idea of disappointing anyone in her life. Their attraction makes no sense. Despite obstacles beyond their control, they are exactly what each other is drawn to as they set about doing the best they can, in all four seasons of their beautiful, one-season town, Provincetown, MA.

Los Angeles has stymied the O'Brians' hopes of fleeing once again, and wrought more destruction than any of them could have imagined. And in Oregon, it is not people who threaten the Tills and their friends, but nature herself in book 3 of FOLIANT.

'Tell me who it is' 'What difference will it make?' 'After six years I'm entitled to know who you're leaving me for.' 'Ok. It's someone I grew up with . . . from the village. It's Marcus Harding.'

It followed every major military victory in ancient Rome: the successful general drove through the streets to the temple of Jupiter on the Capitoline Hill; behind him streamed his raucous soldiers; in front were his prisoners, as well as the booty he'd captured, from enemy ships and precious statues to plants and animals from the conquered territory. Occasionally there was so much on display that the show lasted two or three days. A radical reexamination of this most extraordinary of ancient ceremonies, this book explores the magnificence of the Roman triumph, but also its darker side.