Ergebnis für "Rooms Women, Writing, Woolf" in Alle Kategorien

A creative writer's shelf should hold at least three essential books: a dictionary, a style guide, and Writing Fiction. Janet Burroway's best-selling classic is the most widely used creative writing text in America, and for more than three decades, it has helped hundreds of thousands of students learn the craft.

Thirty years ago, a professor threw a chair at Sina Queyras after they’d turned in an essay on Virginia Woolf. Queyras returns to that contentious first encounter with Virginia Woolf to recover the body and thinking of that time. Using Woolf’s A Room of One’s Own as a touchstone, this book is both an homage to and provocation of the idea of a room of one’s own at the center of our idea of a literary life. How central is the room? And what happens once we get one? Do we inhabit our rooms? Or do the rooms contain us?

Audible editor Katie O’Connor explores the craft of writing for the audio format with Audible Originals authors Samantha Allen, Lauren Blakely, Dennis Mahoney, and Ben H. Winters. Listen in as the authors discuss how they changed their approach to their work with audio in mind. You’ll also hear from two Audible Originals editors - Lara Blackman and Steve Feldberg - about how they collaborate with their authors and where they think the future of audio is going.

No one comes out of a movie talking about structure. What audiences love and remember about a movie are great scenes. Marlon Brando in the back seat in On the Waterfront giving his "I could'a been a contender" speech. Meg Ryan's fake orgasm in Katz's Deli in When Harry Met Sally with the climactic punch line: "I'll have what she's having." In Superbad, Jonah Hill professing "I love you" to his friend Michael Cera by touching his nose with a "boop".

Are women able to achieve anything they set their minds to? In How to Suppress Women’s Writing, award-winning novelist and scholar Joanna Russ lays bare the subtle - and not so subtle - strategies that society uses to ignore, condemn, or belittle women who produce literature. As relevant today as when it was first published in 1983, this book has motivated generations of readers with its powerful feminist critique.