Ergebnis für "New York" in Hörspiele & Dramatisierungen

Long Island, 1922: Auf dem luxuriösen Anwesen des jungen Millionärs Jay Gatsby amüsiert sich allabendlich die High Society New Yorks. Doch der geheimnisvolle Gastgeber selbst hat kein Interesse an Swing und Champagner. Mit den rauschenden Festen und seinem neu erworbenen Reichtum möchte er nur Daisy anlocken, seine große Jugendliebe, die inzwischen mit dem reichen Tom Buchanan verheiratet ist. Die Figur Gatsby wurde zum Sinnbild des amerikanischen Traums – und seines Scheiterns. Das Hörspiel lässt die Roaring Twenties lebendig werden und erzählt von einer Welt, in der Geld und Dünkel regieren und die Liebe auf der Strecke bleibt.

Im New Yorker Schwarzenviertel Harlem ist ein Koffer voller Goldstücke das Ziel eines erbitterten Kampfes zwischen Schurken, Ganoven und Betrügern aller Art. In diesem scheinbaren Goldrausch wissen alle Beteiligten genau, dass die Baren gefälscht sind, aber dass man sie für einen großen Betrug gut gebrauchen könnte. Ed Sarg und Joe Grave Digger stellen Ermittlungen an. Sie glauben, an ihrem Ziel zu sein, als sie auf die Leiche einer Nonne stoßen, die in Wirklichkeit ein Transvestit war. Und was weiß die hübsche Imabelle wirklich über die ganze Angelegenheit? Der Fall wird immer komplizierter und mitten drinnen ein Mann namens Jackson.

Mike Daisey is a fierce storyteller, one minute hilarious, the next minute sweet, with a fine-tuned ear for digression. He circles in on his uneasy subject matter, closer and closer, until he exposes the raw heart. The New York Times calls him "the master storyteller" and he has been compared to Garrison Keillor, Spalding Gray, and David Sedaris.

John Riggi's personal odyssey of moving to New York for the first time ever to work on Tina Fey's new show. This piece was recorded at the Player's Club in NY shortly after his move.

Mike Daisey is a fierce storyteller, one minute hilarious, the next minute sweet, with a fine-tuned ear for digression. He circles in on his uneasy subject matter, closer and closer, until he exposes the raw heart. The New York Times calls him "the master storyteller" and he has been compared to Garrison Keillor, Spalding Gray, and David Sedaris.

Mike Daisey is a fierce storyteller, one minute hilarious, the next minute sweet, with a fine-tuned ear for digression. He circles in on his uneasy subject matter, closer and closer, until he exposes the raw heart. The New York Times calls him "the master storyteller" and he has been compared to Garrison Keillor, Spalding Gray, and David Sedaris.

In the final play of a trilogy that began with Pretty Fire and continued with Neat, In Real Life finds Charlayne Woodard pursuing her dreams in New York City. From early days as a stuggling actor to being nominated for a Tony Award, the harsh realities of Broadway are balanced by the unusual and comforting characters that touched her life.

Mike Daisey is a fierce storyteller, one minute hilarious, the next minute sweet, with a fine-tuned ear for digression. He circles in on his uneasy subject matter, closer and closer, until he exposes the raw heart. The New York Times calls him "the master storyteller" and he has been compared to Garrison Keillor, Spalding Gray, and David Sedaris.

Mike Daisey is a fierce storyteller, one minute hilarious, the next minute sweet, with a fine-tuned ear for digression. He circles in on his uneasy subject matter, closer and closer, until he exposes the raw heart. The New York Times calls him "the master storyteller" and he has been compared to Garrison Keillor, Spalding Gray, and David Sedaris.

Mike Daisey is a fierce storyteller, one minute hilarious, the next minute sweet, with a fine-tuned ear for digression. He circles in on his uneasy subject matter, closer and closer, until he exposes the raw heart. The New York Times calls him "the master storyteller" and he has been compared to Garrison Keillor, Spalding Gray, and David Sedaris.

Mike Daisey is a fierce storyteller, one minute hilarious, the next minute sweet, with a fine-tuned ear for digression. He circles in on his uneasy subject matter, closer and closer, until he exposes the raw heart. The New York Times calls him "the master storyteller" and he has been compared to Garrison Keillor, Spalding Gray, and David Sedaris.