Ergebnis für "Mason" in Historisch

England, 1939. Robert Henley-Finch returns to Beaumont Hall, the country estate that made him and never forgave him. The house is waking—whispers in the stairwell, a plaque that shines with unspoken scripture, a painting that answers back. And Robert’s sleep is no longer his own.

Life in the Middle Ages can be tough. Nasty, brutish, and short, as they say. War, famine, torture. Plague and intolerance. People getting burned at the stake and all that. And nobody speaks English. All of which sucks if you’re from the 21st Century. Martin’s just a regular guy. A job that's going—well, not exactly nowhere, but not anyplace fast. A condo in the DC suburbs. A Ford Fusion. A couple of beers on a Friday night.

William “Billy” Quantrill is destined to become America’s most notorious outlaw. As the Civil War threatens to destroy the country from within, Billy - a schoolteacher turned gunslinger - is working for the Pony Express when he is lured into a gunfight over a gambling debt set up by a dangerous and crooked politician. Just when he was beginning to make a name for himself, Billy is thrust into a world of politics as a hired gun. While living the life of an outlaw, Billy is recruited by a powerful secret society with plans to change the way the country is run.

And Adeena Stuart is not bound by anything that will stop her from saving the man she’s fallen in love with, even though he’s been dead for almost 300 years. In book two of the Song for a Lost Kingdom trilogy, her music provides the portal to James Drummond who is fighting alongside Prince Charles Edward Stuart in the 1746 Jacobite uprising. Though their cause is doomed, and James is destined to die shortly after the Battle of Culloden, Adeena’s determination never wavers.

In the final instalment of the Song for a Lost Kingdom trilogy, Adeena Stuart and Katharine Carnegie search for the music that neither can complete on their own. Finding themselves living three centuries apart and each assuming the identity of the other, Adeena and Katharine must overcome their own unique challenges, all the while hiding the truth of who they really are from those around them.

Adeena Stuart and Katharine Carnegie were born nearly three centuries apart. Yet, their music and an ancient cello connect them to each other and to a man doomed to die in 1746 after the Battle of Culloden. In book one of the Song for a Lost Kingdom series, Adeena receives an untitled musical score from her dying grandmother in Scotland.

The discovery of bricked-up skeletal remains at 36, Craven Street point to something more diabolical than an illegal anatomy school. The tool marks on the bones - arcane sigils of great power - indicate more than mere butchery, more than enlightened experimentation. The signs, omens, and portents support the crown's greatest fears. A great evil is being unleashed upon the gaslit streets of London, a blood-drenched shadow reaching skeletal fingers beyond the slums of Whitechapel.