Ergebnis für "Limit" in Popularkultur

Es gibt keine Grenzen mehr: Das glaubt man jedenfalls am Beginn der Neunzigerjahre. Die Berliner Mauer fällt, die Welt rückt zusammen, und sie vernetzt sich. Die ersten Knoten des World Wide Web werden geknüpft, die ersten Suchmaschinen programmiert. In Berlin wird Techno zum Soundtrack der Wiedervereinigung, Neonfarben beherrschen das Bild, Piercings und Tätowierungen erobern den Mainstream, das Arschgeweih gerät zum stilistischen Symbol der Dekade. Aber unter der heiteren Oberfläche brechen alte Konflikte auf, Gespenster aus der Vergangenheit kehren zurück.

Michael Crawley immerses himself in various endurance cultures and asks what makes enduring together meaningful to people. He learns how Nepalese runners face different challenges depending on their location up a mountain, from those in the lowlands and ‘middle hills’ to Sherpas from the Solu Khumbu, and observes Tarahumara ultrarunners’ ability to cover extreme distances on highly technical terrain. But he also delves into the history of Dance Marathons, six-day pedestrianism races in Madison Square Gardens and the unique Enhanced Games.

Life is boring: filled with meetings and traffic, errands and emails. Nothing we'd ever call fun. But what if we've gotten fun wrong? In Play Anything, visionary game designer and philosopher Ian Bogost shows how we can overcome our daily anxiety; transforming the boring, ordinary world around us into one of endless, playful possibilities. The key to this playful mindset lies in discovering the secret truth of fun and games.

A Wired senior editor and virtual reality expert presents a captivating, candid glimpse into the future "realities" of this emerging technology: how we will use it to form previously impossible relationships, explore new frontiers of intimacy, and how it will forever change human connection...

Based on two years of research, Nice Is Not Enough shares striking dispatches from one high school's "regime of kindness" to underline how the culture operates as a Band-Aid on persistent inequalities. Through incisive storytelling and thoughtful engagement with students, this brilliant study by C. J. Pascoe exposes uncomfortable truths about American politics and our reliance on individual solutions instead of profound systemic change.

Il nostro corpo racconta molte cose se può manifestarsi con libertà. I pantaloni con cui Marlene Dietrich arrivò a Parigi nel 1930 fecero gridare allo scandalo perché non solo parlavano di una sessualità dominatrice, ma di una donna che attingeva agli stereotipi del potere maschile diventando una vampira di energie invece che una donatrice devota. Il seno turgido che sbocciava dall'abito di Marilyn Monroe mentre cantava al suo amante "Happy Birthday, Mr. President", alludeva a una seduzione di nuovo conio, ribelle alle convenzioni del matrimonio, della ragion di Stato e della donna per bene.

Connecting our speed-obsession with today's global capitalism, Taylor composes a grand narrative showing how commitments to economic growth and extreme competition, combined with accelerating technological innovation, have brought us close to disaster. Psychologically, environmentally, economically, and culturally, speed is taking a profound toll on our lives.

No Such Thing as Normal is a deeply researched, timely, essential book that will shine a light on the psychiatric industry: its genesis, its obsession with often ineffective, over-medicalised treatments, and its relationship with a pharmaceutical industry driven by profitability rather than meaningful social welfare and change.

What made the San Diego Comic-Con a Hollywood destination? How does the industry’s presence at Comic-Con shape our ideas about what it means to be a fan? And what can this single event tell us about the relationship between media industries and their fans, past and present? Only at Comic-Con answers these questions and more as it examines the connection between exclusivity and the proliferation of media industry promotion at the longest-running comic convention in North America.