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People work; folk play. That is how it has been in this country for as long as Sam can remember. He is happy, and he understands that this is the way it should be. People are bigger than folk. They are stronger. They do not need food or water. They do not need the warmth of a fire. All they need are jobs to do and a blacksmith to fix them when they break. The people work so the folk can drink their moonshine, fish a little, and throw horseshoes. But once Sam starts to wonder why the world is like this, his life will never be the same.

Since the dawn of mankind, immortality has been the ultimate reward. But by the year 2148, it requires no act of faith to believe in an afterlife. Forever Center promises to bring people back to a life beyond death. Now everyone spends their lives in poverty, giving all their money to Forever Center to ensure their happiness and comfort in the next eternal life.

Hiram Taine is a handyman who can fix anything. When he isn't fiddling with his tools, he is roaming through the woods with his dog, Towser, as he has done for as long as he can remember. He likes things that he can understand. But when a new ceiling appears in his basement - a ceiling that appears to have the ability to repair television sets so they're better than before - he knows he has come up against a mystery that no man can solve.

After a disastrous planet-wide war, Earth is nothing more than an elite graveyard—but Fletcher Carson is venturing back in search of a vital bounty. Fletcher, a former artist, is joined by a sentient machine, an ancient, powerful robot, and a treasure-seeking beauty. They soon discover that Earth harbors more than the carefully groomed tombstones. In the wild land beyond the cemetery there are dangerous machines, mutant creatures, and even humans who never left their home planet.

Author Jay Vickers would like nothing more than to be left alone so he can finish his next book. But "there's something strange going on," as his peculiar neighbor, Horton Flanders, says. The market is filling with new inventions that supposedly last forever-cars, razors, cigarette lighters, and more. Individuals and whole families are disappearing. Soon, even Mr. Flanders vanishes-but not before leaving Vickers a note.

Adventurers journey into the foreboding unknown regions of outer space in these two classic science fiction tales from the Hugo and Nebula Award winning author.

Forestry student Jerry Conklin is fly-fishing when something huge lands on his car, crushing it into the earth. It looks like a big black box-about fifty feet high and two hundred feet long-and the object stirs up quite a commotion among the townspeople of Lone Pine, Minnesota. One of them even shoots at it-and quickly pays for it with his life.

After a night out on the town, Parker Graves returns home to life-threatening danger. The science reporter for the local newspaper barely misses a bear trap sitting on his doorstep. Then, the object transforms into what looks like a bowling ball and rolls off into the night all by itself. He begins to obsess over the question—Who put the trap there? And why? The following day, there is strange news floating around at the newspaper office. Someone with limitless funds is buying up hundreds of homes and businesses, only to close them up and tear them down.

In the collection's title story, Frederick Gray is closing in on seventy and has outlived his usefulness as a professor of law. He has no family; his best friend, fellow faculty member Ben Lovell, has recently died. Before Gray moves into a retirement home, he takes a final canoe trip to a favorite fishing spot he and Lovell had visited many times, only to find that someone has built a house on the remote riverside. When an accident leaves Gray stranded and in pain, he returns to the shelter seeking aid and instead finds a new reason for living.

Twelve classic tales of the unknown from the Hugo and Nebula Award-winning author of Way Station.

Twenty years ago, Asher Sutton vanished somewhere in the star system 61 Cygni, an inaccessible corner of the universe that humankind has thus far been unable to explore. Now Asher has returned to Earth, having impossibly survived catastrophic damage to his spacecraft. But the star traveler is not the same man he was when he began his journey two decades earlier. He is, in fact, no longer completely human. And he isn't alone.

Space travel has been abandoned in the 22nd century. It is deemed too dangerous, expensive, and inconvenient - and now the all-powerful Fishhook company holds the monopoly on interstellar exploration for commercial gain. Their secret is the use of "parries", human beings with the remarkable telepathic ability to expand their minds throughout the universe.

More than a thousand years have passed since humankind intentionally destroyed its treacherous technology, choosing to revert back to a primitive tribal state. In this society the rusting brain cases of long-inert robots are considered trophies, and the scant knowledge that has survived is doled out to an inquisitive few in monasterylike "universities". It is at one such center of learning that young Tom Cushing first reads of the legendary "Place of Going to the Stars".

Following a conversation with a talking slot machine, Professor Edward Lansing finds himself mysteriously transported to a tavern on a long and empty road. It is immediately obvious to the educator that he is no longer on campus - or even Earth - and that he is not alone. Lansing's new companions - a female engineer, a military officer, a humorless priest, a poetess, and a robot named Jurgens - all hail from separate alternate realities and share Lansing's confusion.

In rural Wisconsin, wonder clashes dangerously with corporate greed when an alien visitor opens up a gateway through time into a breathtaking prehistoric lost world. On sabbatical from teaching at a small university, paleontologist Asa Steele is content to relax amid the pastoral splendor of his Wisconsin farm. That is until his dog starts bringing home unrecognizable artifacts and, strangest of all, fresh dinosaur bones.

Hank is walking home from the bar when the Model T pulls alongside him. It's been decades since he saw a car this old, and the sound of it takes him right back to his 20s. The door is open, and when he climbs in, the car takes off - without a driver. Before he knows what's happened, Hank is right back at Big Spring Pavilion, where he spent his youth drinking bootleg whiskey and chasing pretty girls. He will find the past is not quite as he remembered it, but still a lovely place to go for a drive.