What do you do when "take a break" isn't the answer? We’ve all ahd that feeling, "I’m just too tired to concentrate." This can be because you're worn out from work, or due to chronic fatigue or pain. This week, our hosts talk about working with the brain and body you actually have instead of expecting every writing day to look the same. We explore queuing up tasks for our tired future selves, falling back on craft, using placeholders, and shifting from productivity goals to satisfaction goals. Plus, how to recognize diminishing returns and build systems that help us stop before pushing ourselves into burnout.

Liner Notes:

Writing Bingo Card Generator

Homework:

Write down five things: three writing tasks you can do when you’re really tired, and two signs that tell you you’re approaching burnout—including the lies you tell yourself that keep you pushing when you need to stop. Keep the list close at hand and see if it helps when you can’t even.

Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

Join Our Writing Community!

Writing Retreats

Newsletter

Patreon

Instagram

Threads

Bluesky

TikTok

YouTube

Facebook

What if a character arc had a structure you could actually map? This week, our hosts break down the DREAM arc: denial, resistance, exploration, acceptance, and manifestation. We look at how characters move through these stages—and why stopping at acceptance can make an arc feel incomplete. From Casablanca and Avatar: The Last Airbender to Parasite and Kylo Ren, we explore how the structure can create heroes, villains, and characters who change in messier ways.

Homework:

Take the DREAM arc out to play with your current WIP: denial, resistance, exploration, acceptance, and manifestation. For each stage, write down one action your character can take to reinforce who they believe they are at that point in the arc.

Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

Your life is probably weirder—and more useful to your writing—than you think. This week, our hosts explore how to turn lived experience into fiction, from borrowing sensory details and emotional reactions to reshaping real people and events. We dive into the feelings wheel, specificity, and the layers of belief, feeling, thought, and action that can make characters feel human. Plus, how journaling can become a surprisingly useful bank of material for your future self.

Homework:

Journal about a significant emotional moment in your life. Write down the physical sensations, specific feelings, thoughts, conclusions, and choices you made. Then rewrite it as a third-person scene, giving your protagonist different biographical details while keeping the emotional experience.

Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.