TBT: Who Controls the Music Business
Nie udało się dodać produktów
Nie udało się dodać tytułu do koszyka.
Nie udało się dodać tytułu do schowka.
„Usuń ze schowka“ nie powiodło się.
„Obserwuj podcast“ nie powiodło się
„Przestań obserwować podcast“ nie powiodło się
-
Czyta:
-
Autor:
TBT to one of our most popular episodes from the last few moths. Check it out!
This week on Music Business, Morgan Perry breaks down the biggest power shifts happening behind the music—from Universal’s lawsuit against DistroKid and the industry’s crackdown on AI-driven streaming fraud to the rise of licensed AI, copyright, and new royalty models. Spotify is investing in 10,000 independent artists through Fresh Finds Forward, while Taylor Swift’s music videos push Spotify deeper into the YouTube territory. We also unpack Oasis’ new ticketing strategy, billions flowing into live entertainment, HYBE’s global talent machine, and the growing battle over fan data, discovery, and infrastructure. Plus, we explore unclaimed royalties and why independent artists need to understand their contracts, licensing, metadata, and ownership. The biggest takeaway? The song is only the product: the real music business is the ecosystem, technology, data, and money surrounding it.
Music In Episode
Intro: “Women in Music” — Sh!tty Princess
Song:
- “FEELZ” Kirsten Collins, Sh!tty Princess, Nathalie Bonin
- “Same Starts” Sh!tty Princess
- “You and I” Suz Control
Outro: “Women in Music” — Sh!tty Princess
Apple Music
Spotify
PodBean EJazzRadio
FOLLOW Instagram: @therealmomoent TikTok: @therealmomoent Email: momoentertaInmentllc@gmail.com
Listen to Music Business on all streaming platforms & Ejazz Radio Wednesday & Thursday 11am PST
© 2026 Momo Entertainment. All rights reserved.