Follies of a Day; OR, The Marriage of Figaro Titelbild

Follies of a Day; OR, The Marriage of Figaro

Follies of a Day; OR, The Marriage of Figaro

Von: Pierre Beaumarchais
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 Experience Thomas Holcrofts captivating English translation of Pierre Beaumarchais groundbreaking French play, which he attended nine times during its original 1784 staging in Paris. This witty satire delves into the romantic antics and societal issues of its time, serving as a precursor to Mozarts iconic 1796 opera. Amidst the turbulence leading up to the French Revolution, Beaumarchais faced immense challenges getting his work past censors, yet it captivated audiences, including the aristocracy, who recognized its bold themes of class conflict. The play boldly showcases a commoner, Figaro, who is set to marry Susan—whose beauty has caught the eye of the relentless Count Almaviva. (Note Holcroft adapted Suzannes name for English audiences.) This production is the centerpiece of a trilogy, following The Barber of Seville and preceding The Guilty Mother. (Summary by Lynette Caulkins.)Copyright Kids Stories and Comedy Kunst Schauspiel & Theater Unterhaltung & Darstellende Künste
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  • 06 - Act 5 - Follies of a Day OR The Marriage of Figaro by Pierre Beaumarchais

    06 - Act 5 - Follies of a Day OR The Marriage of Figaro by Pierre Beaumarchais
    Nov 11 2025
    Experience Thomas Holcrofts captivating English translation of Pierre Beaumarchais groundbreaking French play, which he attended nine times during its original 1784 staging in Paris. This witty satire delves into the romantic antics and societal issues of its time, serving as a precursor to Mozarts iconic 1796 opera. Amidst the turbulence leading up to the French Revolution, Beaumarchais faced immense challenges getting his work past censors, yet it captivated audiences, including the aristocracy, who recognized its bold themes of class conflict. The play boldly showcases a commoner, Figaro, who is set to marry Susan—whose beauty has caught the eye of the relentless Count Almaviva. (Note Holcroft adapted Suzannes name for English audiences.) This production is the centerpiece of a trilogy, following The Barber of Seville and preceding The Guilty Mother. (Summary by Lynette Caulkins.)
    Mehr anzeigen Weniger anzeigen
    32 Min.
  • 05 - Act 4 - Follies of a Day OR The Marriage of Figaro by Pierre Beaumarchais

    05 - Act 4 - Follies of a Day OR The Marriage of Figaro by Pierre Beaumarchais
    Nov 11 2025
    Experience Thomas Holcrofts captivating English translation of Pierre Beaumarchais groundbreaking French play, which he attended nine times during its original 1784 staging in Paris. This witty satire delves into the romantic antics and societal issues of its time, serving as a precursor to Mozarts iconic 1796 opera. Amidst the turbulence leading up to the French Revolution, Beaumarchais faced immense challenges getting his work past censors, yet it captivated audiences, including the aristocracy, who recognized its bold themes of class conflict. The play boldly showcases a commoner, Figaro, who is set to marry Susan—whose beauty has caught the eye of the relentless Count Almaviva. (Note Holcroft adapted Suzannes name for English audiences.) This production is the centerpiece of a trilogy, following The Barber of Seville and preceding The Guilty Mother. (Summary by Lynette Caulkins.)
    Mehr anzeigen Weniger anzeigen
    27 Min.
  • 04 - Act 3 - Follies of a Day OR The Marriage of Figaro by Pierre Beaumarchais

    04 - Act 3 - Follies of a Day OR The Marriage of Figaro by Pierre Beaumarchais
    Nov 11 2025
    Experience Thomas Holcrofts captivating English translation of Pierre Beaumarchais groundbreaking French play, which he attended nine times during its original 1784 staging in Paris. This witty satire delves into the romantic antics and societal issues of its time, serving as a precursor to Mozarts iconic 1796 opera. Amidst the turbulence leading up to the French Revolution, Beaumarchais faced immense challenges getting his work past censors, yet it captivated audiences, including the aristocracy, who recognized its bold themes of class conflict. The play boldly showcases a commoner, Figaro, who is set to marry Susan—whose beauty has caught the eye of the relentless Count Almaviva. (Note Holcroft adapted Suzannes name for English audiences.) This production is the centerpiece of a trilogy, following The Barber of Seville and preceding The Guilty Mother. (Summary by Lynette Caulkins.)
    Mehr anzeigen Weniger anzeigen
    34 Min.
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