THE WAKE OF LIGHT is the sixth and final Episode of "MY NAME IS LIGHT," a text-based miniseries focused on the Ma’amer Basi L’Gani 5744 (1984). In this concluding segment of this series, we study the last three chapters. It is here that we will reconcile the seemingly glaring inconsistency with the main theme of chapter 14 of the original Ma’amer Basi L’Gani (5710). For more details on this, see below. * After dynamically highlighting several Basi L'Gani themes, the Rebbe goes on to richly illuminate this year's unique teaching about G-d's unchanging creative and animating Lightforce. Then, the Ma'amer begins a journey into terra incognita -- lucidly illustrating what amounts to a startling incongruity in highly disparate Chasidic teachings. In this final Episode, he introduces an elegant reconciliation of both esoteric teachings which are now reframed as interdependent mutually complimentary. Ultimately, the Rebbe reasons, it is not only possible to for these two concepts to co-exist -- but they also actually complete one another! The reconciliation also serves to stir sparks in the sweep of its illuminating new approach. Far beyond compromise, the secret of Light Animation is discovered in the Title Search. Radiant Limitations that would otherwise inhibit [Divine] Light are, in fact transcended by decoding the G-d Given ID to Name the Light! This climatic Episode breaks new ground in its crowning conclusion, as only with spiritual synergy can the creative process be completed. The Ma'amer's end hits high notes on Sparking Redemption and Planting Seeds to energize Exodus -- with the past ordaining the present and our radiant future! This final Episode was sponsored by Jake Hacker & Marla Krybus for the safe release of the Hostages, Amen! _____________________________ * The Ma’amarim of Basi L’Gani, are a collection of more than 40 uniquely themed Chassidic Discourses that were delivered by The Rebbe on, or in proximity to Yud Shvat, the Yartzeit-Hilulah of his predecessor Rabbi Yosef Yitzchok Schneerson, between the years of 5711 and 5748 (1951 – 1988). All these ruminations were directly based on Ma’amer Basi L’Gani, 5710, which was released by Rabbi Yosef Yitzchok on the eve of his terrestrial passing. This [original] Ma’amer is widely regarded as the Previous Rebbe’s Last Will and Testament, and our Rebbe used its themes as guiding lights for the unique mission of our Seventh Generation [of Chabad-Lubavitch] Chassidim. Kindred in containing many common concepts or ideas, each discourse incorporates a remarkably wide range of mystical Torah teachings and always radiates with multiple novel, fresh and creative insights. The original rumination contains Twenty Chapters, and for nearly four decades, annually (in orderly successive fashion) the Rebbe would elaborate on themes found in a specific chapter, by delivering one or more Ma’amarim (formal dissertations of original Chassidic Teachings) almost always opening with the Midrashic words “Basi L’Gani.” This year, 5784, we are – once again – focused on Chapter Fourteen. As such, the discourses of 5724 (1964) and 5744 (1984) are studied by the global Chasidic community during the Yud Shvat season.

ALL THE LIGHT WE CANNOT SEE is the Fifth Episode of "MY NAME IS LIGHT," the six-part miniseries on Ma’amer Basi L’Gani 5744 (1984). In this Fifth Episode of this series, we arrive at the main thesis of this unique rumination, an entirely novel idea that springs out of the theme of chapter 14 of the original Ma’amer Basi L’Gani (5710). For more details on this, see below. * Upon the completion of the Ma'amer's opening segue that elucidated several of the cherished Basi L'Gani themes, added much novelty and illumination, we went on complete the introductory portion and clarify the primary thrust of this year's uniquely theme of Light and Power with a new dimension of Vital Animation. In our immediate past a range of esoteric Torah teachings was introduced to elucidate the Secret of Light we learnt about in the First Episode of this series. This Episode break new ground by focusing on Creation in Name, and the accompanying title concealment it brings in tow. This becomes the platform for a seeming contradiction of terms and challenge to the entire thesis itself! Does Adam’s brilliance in identifying quantum spiritual energy within G-d’s Creation eclipse the Divine Creative Light, and do names represent concealment or exposure of existence? Finally, a rose by any other name thickens the plot, and we contemplate the contrast of illumination vs obfuscation, and are forced to ask: will the real animator please rise? _______________________________ * The Ma’amarim of Basi L’Gani, are a collection of more than 40 uniquely themed Chassidic Discourses that were delivered by The Rebbe on, or in proximity to Yud Shvat, the Yartzeit-Hilulah of his predecessor Rabbi Yosef Yitzchok Schneerson, between the years of 5711 and 5748 (1951 – 1988). All these ruminations were directly based on Ma’amer Basi L’Gani, 5710, which was released by Rabbi Yosef Yitzchok on the eve of his terrestrial passing. This [original] Ma’amer is widely regarded as the Previous Rebbe’s Last Will and Testament, and our Rebbe used its themes as guiding lights for the unique mission of our Seventh Generation [of Chabad-Lubavitch] Chassidim. Kindred in containing many common concepts or ideas, each discourse incorporates a remarkably wide range of mystical Torah teachings and always radiates with multiple novel, fresh and creative insights. The original rumination contains Twenty Chapters, and for nearly four decades, annually (in orderly successive fashion) the Rebbe would elaborate on themes found in a specific chapter, by delivering one or more Ma’amarim (formal dissertations of original Chassidic Teachings) almost always opening with the Midrashic words “Basi L’Gani.” This year, 5784, we are – once again – focused on Chapter Fourteen. As such, the discourses of 5724 (1964) and 5744 (1984) are studied by the global Chasidic community during the Yud Shvat season.

SEE THE LIGHT is the Fourth Episode of "MY NAME IS LIGHT," a six-part miniseries on the Ma’amer Basi L’Gani 5744 (1984). Episode four of this textually based series continues the general opening and directly leads us into a penetrating analysis and elucidation of chapter 14 of the original Ma’amer Basi L’Gani (5710). For more details on this, see below. * Having completed the careful study of the 5744 Ma'amer's initial segue which featured an important and novel illumination of the opening theme of the original Ma’amer Basi L’Gani (5710) we now proceed to complete the introductory portion and move into the primary thrust of this year's uniquely themed teaching. In the opening strokes, we review the spiritual lessons of the military-like formation that characterizes the Egyptian Exodus and the illuminated conditions that led to it. Viewing it as instructive and relevant rather than [merely] historic. To be sure, this reframing of our nations birth in dynamic fashion is lifted out of the original Ma'amer, yet here it is expanded and reimagined to elegantly segue into the Ma'amer's main thesis and enabling us to "See the [Divine Creative] Light!" Building on mystical teaching of the Previous Rebbe (in the original Ma’amer's fourteenth chapter) about Light and Power, the Rebbe here widens that gamut of to include a new dimension of Vital Animation as well. The Rebbe draws on a range of esoteric Torah teachings to further clarify and elucidate the Secret of Light we learnt about in the First Episode of this series. This will vastly enhance our previously attained understanding the unchanging Divine light that remains pure and unadulterated in its powerful glow, despite its vivifying animation of the universe! _______________________________ * The Ma’amarim of Basi L’Gani, are a collection of more than 40 uniquely themed Chassidic Discourses that were delivered by The Rebbe on, or in proximity to Yud Shvat, the Yartzeit-Hilulah of his predecessor Rabbi Yosef Yitzchok Schneerson, between the years of 5711 and 5748 (1951 – 1988). All these ruminations were directly based on Ma’amer Basi L’Gani, 5710, which was released by Rabbi Yosef Yitzchok on the eve of his terrestrial passing. This [original] Ma’amer is widely regarded as the Previous Rebbe’s Last Will and Testament, and our Rebbe used its themes as guiding lights for the unique mission of our Seventh Generation [of Chabad-Lubavitch] Chassidim. Kindred in containing many common concepts or ideas, each discourse incorporates a remarkably wide range of mystical Torah teachings and always radiates with multiple novel, fresh and creative insights. The original rumination contains Twenty Chapters, and for nearly four decades, annually (in orderly successive fashion) the Rebbe would elaborate on themes found in a specific chapter, by delivering one or more Ma’amarim (formal dissertations of original Chassidic Teachings) almost always opening with the Midrashic words “Basi L’Gani.” This year, 5784, we are – once again – focused on Chapter Fourteen. As such, the discourses of 5724 (1964) and 5744 (1984) are studied by the global Chasidic community during the Yud Shvat season.