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Tom Clancy Executive Power

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Tom Clancy Executive Power

By: Brian Andrews, Jeffrey Wilson
Narrated by: Scott Brick
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An international incident may fracture the Ryan family in the latest entry in this #1 New York Times bestselling series.

Luanda, Angola
An American intelligence team on a routine mission is wiped out. The sole survivor: Kyle Ryan, youngest son of President Jack Ryan.

But the massacre of his colleagues is just the prelude to an even more devastating conflict—a deadly military coup in the central African nation. The next step is a shocking escalation, the seizure of the American Embassy and the taking of numerous hostages including the ambassador and the younger Ryan.

As US forces fight insurgents street by street in the African capital city, Lieutenant Katie Ryan leads the effort to untangle the mystery behind the coup and the identity of the plotters. Is it the Chinese government? Is it a corrupt Angolan general? Or is there a darker force pulling the strings?

In the White House Situation Room, President Jack Ryan and his National Intelligence Team anxiously await the answers. He may have a full Marine Expeditionary Unit at his command, but the full executive power of the presidency is useless if they can’t find the target.

One thing’s for sure, Kyle and his fellow hostages sit at the center of the bullseye—human shields to deflect an American response. Jack Ryan has faced many challenges as President, but solving this problem is no one-man job. It’s going to take all three of them to get through this.
Genre Fiction Military Thriller & Suspense War & Military
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All stars
Most relevant
I have read all books - This is definitely NOT going to be my favorite episode.
- the plot is linear and completely preditcive; the whole story could be told in 30 seconds
- the authors exaggerated with details (eg each and every adress with street, zip code, …, each time stamp with minutes like 10:01)
- way to many military abbreviations that nobody understands (or can memorize)
- the speaker in chapter one tries to create excitement and „hectic“/ action - which makes the start onto the book a little awkward.

single-dimensional story, exaggerated details, predictive

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