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This is Why We Lied

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This is Why We Lied

Von: Karin Slaughter
Gesprochen von: Kathleen Early
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Über diesen Titel

One toxic family. Eight suspicious guests. Everyone is guilty. But who is a killer?

Welcome to the luxury McAlpine Lodge…

Nestled in the misty mountains, it’s the perfect getaway. Until a woman’s body is found.

Everyone is a suspect.

The cruel father.

The toxic mother.

The bitter family.

The silent staff.

The suspicious guests.

Each of them is guilty of something. But only one is a killer. You’ll never guess who…

The incredible new thriller – an instant Sunday Times bestseller!

‘Everything a thriller should be: dark, multilayered, suspenseful’⭐⭐⭐⭐⭐

‘Kept me guessing to the end’⭐⭐⭐⭐⭐

‘So twisted my head was spinning’⭐⭐⭐⭐⭐

‘One of those books you really don't want to put down!’ ⭐⭐⭐⭐⭐

‘The final reveal delivers an absolute jaw drop moment that punched me straight in the chest’⭐⭐⭐⭐⭐

‘Definitely keeps you on your toes’⭐⭐⭐⭐⭐

‘Jaw dropping thriller you don't want to end’⭐⭐⭐⭐⭐

‘The plot twisted & turned and reached a very unexpected conclusion’⭐⭐⭐⭐⭐

‘I loved every minute of this’⭐⭐⭐⭐⭐

‘I stayed up half the night to finish this one’⭐⭐⭐⭐⭐

‘The entire book is just sheer perfection!’ ⭐⭐⭐⭐⭐

This is Why We Lied was a Sunday Times bestseller w/c 17/6/24

©2024 Karin Slaughter (P)2024 HarperCollins Publishers
Belletristik Krimis Polizei Psychologie Thriller Weibliche Detektive

Kritikerstimmen

'Adroit scene-setting, vivid characterisation and (crucially) impeccable plotting' Financial Times

'A dark, mysterious and compelling read' Sun

'A clever rural variant on the traditional locked-room mystery' Sunday Times

'An engrossing masterclass in crime writing' Irish Independent

‘Another gripping five-star read from the Queen of Crime’ Woman's Weekly

‘Shocking lies are exposed in this pacy thriller’ Woman's Own

'Spellbinding' MyWeekly

Praise for Karin Slaughter

‘Compulsive reading’ Clare Mackintosh

‘Never less than nail-biting’ The Times

‘Twisty, touching and intense. I find it totally absorbing’ Adele Parks

‘A dark, sophisticated gem of a read’ Janice Hallett

‘Heart-stopping one moment, heart-breaking the next’ Cara Hunter

‘Her heroines are believable, flawed and courageous’ Oyinkan Braithwaite

‘Passion, intensity, and humanity’ Lee Child

‘Absorbing’ Sunday Times

‘I’d follow her anywhere’ Gillian Flynn

‘An effortlessly accomplished thriller’ The Times

‘One of the boldest thriller writers working today’ Tess Gerritsen

‘Her characters, plot, and pacing are unrivalled’ Michael Connelly

‘A writer of extraordinary talents’ Kathy Reichs

‘Fiction doesn't get any better than this’ Jeffery Deaver

‘A great writer at the peak of her powers’ Peter James

‘It’s big, dark, rich, satisfying, and bloody – like a perfectly cooked steak’ Stuart MacBride

‘Slaughter has always been adroit at supplying a steady accretion of menacing detail in her Will Trent/Sara Linton series’ Financial Times (Best summer crime books of 2023)

‘The queen of the explosive thriller’ Good Housekeeping

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I reaaallllyyy liked the story and this mountain cabin atmosphere it gave . I don't think that the point was only to find the murder but how f-up a life can be. would prefer a happier ending but again, I don't think that was either the point or focus. Love that a the characters had a purpose.

Toxic family

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because it’s wonderfully read again by Kathleen Early … Good story but not very surprising at all. If you pay a little attention the outcome is pretty clear from the beginning. The twists and turns don’t feel like actual twists and turns. A little too predictable..

Another book that seems to be better than it actually is

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one of the saddest stories on Karen but very well written. I still enjoyed listening to it.

sad family drama

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I am a big fan of the Will Trent Series, so I enjoyed this book. I love Early’s performance. Sometimes voice actors can sound somewhat whiney and annoying in some characters, but not Early. I am very happy with her reading this book! Thank you 💜

Great Series, Great Voice - very cool!

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Lots of details of rape, melodramatic tales of incest and "dark secrets" but no real character development or story. Seems like the author was relying on shock value rather than storytelling which made it both boring and depressing. The narrator did well, it seems like she was overacting a lot but I think that was rather the lazy dialogue . Her character voices do feel a bit stereotyped- poor white "trash" righteously angry Black woman- so 2 dimensional characters voiced in an exaggerated manner made for a lot of cringing. At 2 hours to go I don't even care who dunnit- I need to detox my brain.

Boring and cringey

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