The Wax Child Titelbild

The Wax Child

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The Wax Child

Von: Olga Ravn, Martin Aitken - translator
Gesprochen von: Freya Miller
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Über diesen Titel

Brought to you by Penguin.

Unlike anything you’ve read before, The Wax Child is an extraordinary tale of witchcraft from one of the most visionary writers at work today


It was a black night in the year 1620 when Christenze Krukow made the wax child, when she melted down beeswax and set it in the image of a small human. For days, she carried it tucked beneath her arm, shaping it with the warmth of her flesh, giving it life. She fashioned for it eyes and ears that cannot open, and yet – it watches and listens.

It looks on as Christenze is haunted by rumour, it hears what the people whisper. It sees how, in the candlelight, she gazes with love at her friends, and hears the things they say in the shadows. It knows pine forest, misty fjord and the crackle of the burning pyre. It observes the violence in men’s eyes and the cruelty of their laws. In time, it begins to understand that once a suspicion of witchcraft has taken hold, it can prove impossible to shake…

Based on an infamous seventeenth century Danish witch trial, The Wax Child is the extraordinary new novel from Olga Ravn, one of the most acclaimed and original writers at work today: a mesmerising, frightening vision of a time when witches and magic were as real to the human mind as soil and seawater.

© Olga Ravn 2025 (P) Penguin Audio 2025

Belletristik Frauenliteratur Horror

Kritikerstimmen

Olga Ravn is a master and an alchemist. There's nobody else doing quite what she does (Samantha Harvey)
I gulped The Wax Child down and dreamed wild dreams about it. Just brilliant. (Max Porter)
Addictive and unsettling (Claire-Louise Bennett)
An instant classic that feels passed down from centuries ago and yet utterly unique, fresh, and modern. Another stunning, surreal journey from an author who seems to never disappoint (Jeff VanderMeer)
A spellbinding tale of loss and longing. A magnificent book. A true masterpiece of both substance and style.
Sinister magic and folk-horror combine into a novel that is as creepingly atmospheric as it is formally impressive.
Dark and strange and beautiful and completely gripping (Mark Haddon)
The Wax Child has emerged from an imagination that is wild, visionary, and absolutely original. It is beautiful, eerie, sublime, and, like a fingerprint or a snowflake, only one of its kind. Olga Ravn is a roof-raisingly brilliant writer (Neel Mukherjee)
Olga Ravn tugs skillfully at the treads of reality, subtly distorting events to reveal hidden, dislocated truths
Olga Ravn descends into a dark historical world of fear and danger, nightmarish fantasy, sordid suffering and blood. Magic is portrayed as a real power not only to be feared, but aspired to by an underclass of disadvantaged yet defiant women (Malcolm Gaskill, author of The Ruin of All Witches)
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