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The Red Sacrament

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The Red Sacrament

Von: Sara Hinkley
Gesprochen von: Christine Williams
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A savage, hypnotic dive into the lives and deaths of a coven of vampires living in nineteenth-century Paris on the cusp of revolt and revolution, perfect for fans of Silvia Moreno–Garcia, Laura Purcell, and Elizabeth Kostova.

Paris, 1869. The Théâtre Saint–Siméon is the place to be, if you can get in. The black slips of paper that guarantee entry are rare and highly desired—and given only to certain persons. The actors on stage are magnetic and ageless, performing only at midnight and never seen during the day . . .

Arnault and his clan of vampires have survived for as long as they have by observing a rigid set of rules. At night, they perform on stage at the Théâtre Saint–Siméon, picking off just enough people in the audience to survive. But they understand the city—and how to live in it without being noticed.

Their peace is shattered first with a visit from Béatrice, a witch who forms a strange connection to Arnault; then with the arrival of Victor de Rouvray and his sister Françoise, vampires from a very different world. And, as Arnault grows closer and closer to the beautiful, enigmatic Victor, he risks becoming distracted from the constant bickering of his immortal friends, from the daily running of the theatre, and worse, from the premonitions of blood, death, and starvation that he receives at night.

For a terrible change is on the horizon, revolt and revolution are brewing in the streets, and soon, the city and Arnault will never be the same again.

©2026 Sara Hinkley
Fantasy Historisch Literatur & Belletristik Paranormal Paranormal & Urban Fantasy Science Fiction & Fantasy
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Reviewing this Œvre is difficult. More difficult than listening to it, where a solid basis in French and Italian helps, I‘d say, also a love for the performing arts, the Renaissance and Egyptian mythology.

If you think this is just another vampire story, you are mistaken. It’s a vampire‘s story. A vampire who had always preferred male company and finally finds himself falling in love with one.

Graciously the author lends us her eyes.
And with them we can see everything. But she doesn’t allow her eyes to focus and refuses a straight gaze. Some passages felt like trying to stare through alabaster glass, having to rewind and listen and rewind again and again. Astonishingly, this technique allows the internal eye to roam, with one’s own associations becoming a part of the story. Her story.

I followed the clue of the author to Isis and Osiris and first thought it’s regarding „them“ being siblings and a couple. Only at the very end of the story further parallels made it clear, what she actually meant.

It does not matter if a book is over 2.000 or about 200 years old, the most difficult thing in understanding it, is to un-know all we know, or think we know, today. Probably the same is true, when trying to understand how a being of 500 years would come to perceive the passing of time. And this is why I gave it 5 stars, because it really feels like a manuscript written by a vampire 150 years ago. Extraordinary!

Extraordinary

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