Ruth Galloway receives a phone call that bears shocking news. A friend of hers from college, Dan Golding, has been killed in a fire at his Lancashire home. Her shock turns to alarm when she gets a letter from Dan. He has made a discovery that will change archaeology forever but he needs Ruth's advice. Even more alarming, he sounds vulnerable and frightened. DCI Harry Nelson is also rediscovering his past. Up north for a holiday, he meets his former colleague Sandy MacLeod, now at Blackpool CID.

Norfolk is experiencing a July heat wave when a construction crew unearths a macabre discovery - a buried World War II plane with the pilot still inside. Forensic archaeologist Ruth Galloway quickly realizes that the skeleton couldn't possibly be the pilot, and DNA tests identify the man as Fred Blackstock, a local aristocrat who had been reported dead at sea. When the remaining members of the Blackstock family learn about the discovery, they seem strangely frightened by the news.

It is Halloween night, and the local museum in King's Lynn is preparing for an unusual event - the opening of a coffin containing the bones of a medieval bishop. But when Ruth Galloway arrives to supervise, she finds the museum's curator lying dead beside the coffin. It is only a matter of time before she and DI Nelson cross paths once more, as he is called in to investigate. Soon the museum's wealthy owner lies dead in his stables, too. These two deaths could be from natural causes - but Nelson isn't convinced.

Boiled human bones have been found in Norwich's web of underground tunnels. When Dr Ruth Galloway discovers they were recently buried, DCI Nelson has a murder enquiry on his hands. The boiling might have been just a medieval curiosity - now it suggests a much more sinister purpose. Meanwhile, DS Judy Johnson is investigating the disappearance of a local rough sleeper. The only trace of her is the rumour that she's gone 'underground'.

A team of archaeologists, investigating coastal erosion on the north Norfolk coast, unearth six bodies buried at the foot of a cliff. How long have they been there? What could have happened to them? Forensics expert Ruth Galloway and DCI Nelson are drawn together again to unravel the past. Tests reveal that the bodies have lain, preserved in the sand, for sixty years. The mystery of their deaths stretches back to the Second World War, a time when Great Britain was threatened by invasion.

DCI Nelson has been receiving threatening letters telling him to 'go to the stone circle and rescue the innocent who is buried there'. He is shaken, not only because children are very much on his mind, with Michelle's baby due to be born, but because although the letters are anonymous, they are somehow familiar. They read like the letters that first drew him into the case of The Crossing Places, and to Ruth. But the author of those letters is dead....

Forensic archaeologist Ruth Galloway is called in to investigate when builders, demolishing a large old house in Norwich to make way for a housing development, uncover the bones of a child beneath a doorway - minus the skull. Is it some ritual sacrifice or just plain straightforward murder? DCI Harry Nelson would like to find out - and fast.

When she's not digging up bones or other ancient objects, Ruth Galloway lectures at the University of North Norfolk. She lives happily alone in a remote place called Saltmarsh overlooking the North Sea and, for company; she has her cats Flint and Sparky, and Radio 4. When a child's bones are found in the marshes near an ancient site that Ruth worked on ten years earlier, Ruth is asked to date them.

Everything has changed for Dr Ruth Galloway. She has a new job, home and partner and is no longer North Norfolk police's resident forensic archaeologist. That is, until convicted murderer Amyas March offers to make DCI Nelson a deal. Nelson was always sure that March killed more women than he was charged with. Now March confirms this and offers to show Nelson where the other bodies are buried - but only if Ruth will do the digging.   

Brighton, 1950: When the body of a girl is found, cut into three, Detective Inspector Edgar Stephens is reminded of a magic trick: the Zig Zag Girl. The inventor of the trick, Max Mephisto, is an old friend of Edgar's. When the dead girl turns out to be known to him, Max decides to help Edgar investigate.

Brighton, 1951. Pantomime season takes a dark turn when two missing children are found dead under the snow, surrounded by sweets - a macabre, real-life Hansel and Gretel. DI Edgar Stephens, has plenty of leads to investigate. The missing girl, Annie, used to write plays and perform them with her friends. Once again Edgar enlists magician and ex-wartime comrade Max Mephisto's help in penetrating the shadowy theatrical world that seems to hold the key. But is this all just classic misdirection?

The domestic bliss of Detective Inspector Rowan Jackman, of Fenland Constabulary, doesn’t last long. His old nemesis, serial killer Alistair Ashcroft, is back in town and ready to tidy up unfinished business. Ashcroft sends a sinister text to DS Marie Evans. His opening move in what will prove to be a lethal game of cat-and-mouse. Yet for all his taunts, where is he? In a county crawling with police on the look-out for him, Ashcroft is nowhere to be found. Everyone Jackman cares about is in danger. Alongside the hunt for Ashcroft, however, normal police work must continue.

Brighton, 1963. Edgar Stephens has been promoted to Superintendent and is married to his former sergeant, Emma Holmes. Edgar's wartime partner in arms, magician Max Mephisto, is a movie star in Hollywood, while his daughter Ruby has her own TV show. The funeral of an old friend highlights just how much the gang's lives have changed in the last nine years. Edgar is struggling with fresh responsibilities and the new swinging Brighton of rioting mods and rockers; Emma is chafing against the restrictions of life as a housewife.  

Elizabeth II's coronation is looming, but the murder of their wartime commander, Colonel Cartwright, spoils the happy mood for DI Edgar Stephens and magician Max Mephisto. A playbill featuring another deceased comrade is found in Colonel Cartwright's possession, and a playing card, the ace of hearts: the blood card. The wartime connection and the suggestion of magic are enough for him to put Stephens and Mephisto on the case.

Christmas 1953. Max Mephisto, and his daughter, Ruby, are headlining Brighton Hippodrome, an achievement only slightly marred by the less-than-savoury support act: a tableau show of naked 'living statues'. This might appear to have nothing in common with DI Edgar Stephens's investigation into the death of a quiet flower seller, but if there's one thing the old comrades have learned it's that, in Brighton, the line between art and life - and death - is all too easily blurred.