The Gentleman in the Parlour

When war broke out in 1914, Somerset Maugham was dispatched by the British Secret Service to Switzerland under the guise of completing a play. Multilingual, knowledgeable about many European countries, and a celebrated writer, Maugham had the perfect cover, and the assignment appealed to his love of romance, and of the ridiculous. The stories collected in Ashenden are rooted in Maugham's own experiences as an agent, reflecting the ruthlessness and brutality of espionage, its intrigue and treachery, as well as its absurdity.

When Cakes and Ale was first published in 1930 it roused a storm of controversy, since many people imagined they recognised portraits of literary figures now no more. It is the novel for which Maugham wished to be remembered.

On his way home from a remote Pacific island, Dr Saunders travels with two strangers: the treacherous Captain Nichols, and Fred, a handsome Australian with a shadowy past. Driven to shelter from a storm on the island of Banda, the trio meets good-natured Erik Christessen and his fiancée, the cool and beautiful Louise. A tense, exotic tale of love, jealousy, murder and suicide, which evolved from a passage in Maugham's earlier masterpiece, The Moon and Sixpence.

In The Moon and Sixpence, Charles Strickland is a respectable London stockbroker who decides in middle age to abandon his wife and children and devote himself to his true passion: art. Strickland's destructive desire for self-expression takes him first to Paris to learn the craft of painting, and finally to Tahiti in the South Pacific. The Moon and Sixpence remains a complex and engaging novel echoing Maugham's own struggles between artistic expression and public respectability.

Maugham spent the winter months of 1919 travelling 1500 miles up the Yangtze river. Always more interested in people than places, he noted down acute and finely crafted sketches of those he met on countless scraps of paper. In the resulting collection we encounter Western missionaries, army officers and company managers who are culturally out of their depth in the immensity of the Chinese civilisation.