Philip Nore is nearing the end as a jockey. George Millace is finished in photography. The differnce is, Millace is dead, and Nore has discovered his secret: a set of files which would blow the top off the racing world. Hated by a dying grandmother he has never known and abused by a trainer he knows only too well, Nore is no stranger to shabby morals. And when he begins to decipher the dead man's photographs, he uncovers corruption on a scale he had never imagined.

Valentine, a blind, confused old man on his deathbed, seeking his peace with God, makes his last confession to a visiting friend, Thomas Lyon, mistaking him for a priest. This puts Thomas in a moral dilemma. Wild horses wouldn't drag from a priest the secrets of the confessional. Engaged in directing a film set in the world of racing, Thomas finds that the solution to this quandary could mean the difference between life and death.

Architect and family man Lee Morris never gave much thought to the shares he inherited of the Stratton Park racecourse, the multi-million dollar property owned by the powerful Stratton family. His mother had first received the shares to keep her quiet about the abuse she had suffered at the hands of her first husband, Keith Stratton. Now, much to Lee's chagrin, he is being drawn into the thick of the Stratton family squabbles as they wage a furious debate over the future of the race track.

Gene Hawkins, investigator by trade, was expert at arranging events so that they appeared accidental to all involved. Therefore, when he himself witnessed an ‘accident’ his curiosity flared up bright, and he insisted on looking into what he regarded as a work of art. A quarter of a million pounds worth of Derby-winning stallion had vanished into the Blue Grass of Kentucky... and a young man and a girl spent a dangerous afternoon in a punt on the River Thames.

Jeff Hinkley, undercover investigator for the British Horseracing Authority, is looking into the shady activities of a racehorse trainer. But as he's tailing his quarry through the Cheltenham Racing Festival, the last thing he expects to witness is a gruesome murder. Could it have something to do with the reason the trainer was banned in the first place – the administration of illegal drugs to his horses? Days later, many more horses test positive for prohibited stimulants.

Computer whiz-kid Peter Keithly, asked to transfer a betting formula onto computer tape, dies shortly afterwards. An old friend of his, Jonathan Perry, finds himself in possession of the tapes, and also discovers that there are greedy, desperate men who will do anything to get their hands on the lucrative software. The evil, bull-faced Angelo goes too far and ends up in jail. Fourteen years later he's free, and very keen not only to get hold of the tapes, but also Jonathan Derry.

A beautiful Italian girl driving home in an open top sports car, a little boy playing on a South Coast beach and the senior steward of the Jockey Club on his way to a press reception in Baltimore. One after the other they suffer the same nightmare ordeal - kidnapping. But there is one thing connecting these particular cases. For the Italian girl is a jockey, and the little boy an only son of a racehorse owner.

A British jockey, riding in Norway, has disappeared, and with him has gone a day's takings from the turnstiles of Oslo racecourse. The Norwegian police have found no trace of him, nor have the British, and the case is being filed as just one more unsolved theft. David Cleveland, investigator for the Jockey Club, is a last resort. He goes without much expectation, and finds himself in waters as dark and deep as the fjords.

The pleasure of a day at Sandown is spoiled for Steven Scott when he sacks his trainer, a one time friend whom he suspects is a crook. Racing may have its rewards, but as Scott finds out not all of them are innocent, or legal.

When a sick friend asks Edward Lincoln to investigate the comprehensive failure of a string of racehorses, he agrees to help out. But it is impossible for him to go about the task quietly and unnoticed because he is now a world-class star of action films, in which he always plays the hero. And the apparently easy survey of the string of racehorses blows him through a smokescreen into circumstances, where, to survive, he has to make himself become the man everyone else already thinks he is.