Forensic archaeologist Ruth Galloway is called in to investigate when builders, demolishing a large old house in Norwich to make way for a housing development, uncover the bones of a child beneath a doorway - minus the skull. Is it some ritual sacrifice or just plain straightforward murder? DCI Harry Nelson would like to find out - and fast.

A team of archaeologists, investigating coastal erosion on the north Norfolk coast, unearth six bodies buried at the foot of a cliff. How long have they been there? What could have happened to them? Forensics expert Ruth Galloway and DCI Nelson are drawn together again to unravel the past. Tests reveal that the bodies have lain, preserved in the sand, for sixty years. The mystery of their deaths stretches back to the Second World War, a time when Great Britain was threatened by invasion.

It is Halloween night, and the local museum in King's Lynn is preparing for an unusual event - the opening of a coffin containing the bones of a medieval bishop. But when Ruth Galloway arrives to supervise, she finds the museum's curator lying dead beside the coffin. It is only a matter of time before she and DI Nelson cross paths once more, as he is called in to investigate. Soon the museum's wealthy owner lies dead in his stables, too. These two deaths could be from natural causes - but Nelson isn't convinced.

Ruth Galloway receives a phone call that bears shocking news. A friend of hers from college, Dan Golding, has been killed in a fire at his Lancashire home. Her shock turns to alarm when she gets a letter from Dan. He has made a discovery that will change archaeology forever but he needs Ruth's advice. Even more alarming, he sounds vulnerable and frightened. DCI Harry Nelson is also rediscovering his past. Up north for a holiday, he meets his former colleague Sandy MacLeod, now at Blackpool CID.

Forensic archaeologist Ruth Galloway has excavated a body from the grounds of Norwich Castle, a forbidding edifice that was once a prison. She believes the body may be that of infamous Victorian murderess Jemima Green. Called Mother Hook for her claw-like hand, Jemima was hanged in 1867 for the murder of five children in her care. DCI Harry Nelson has no time for long-dead killers.

Dr Ruth Galloway is flattered when she receives a letter from Italian archaeologist Dr Angelo Morelli, asking for her help. He's discovered a group of bones in a tiny hilltop village near Rome but doesn't know what to make of them. It's years since Ruth has had a holiday, and even a working holiday to Italy is very welcome!

Boiled human bones have been found in Norwich's web of underground tunnels. When Dr Ruth Galloway discovers they were recently buried, DCI Nelson has a murder enquiry on his hands. The boiling might have been just a medieval curiosity - now it suggests a much more sinister purpose. Meanwhile, DS Judy Johnson is investigating the disappearance of a local rough sleeper. The only trace of her is the rumour that she's gone 'underground'.

DCI Nelson has been receiving threatening letters telling him to 'go to the stone circle and rescue the innocent who is buried there'. He is shaken, not only because children are very much on his mind, with Michelle's baby due to be born, but because although the letters are anonymous, they are somehow familiar. They read like the letters that first drew him into the case of The Crossing Places, and to Ruth. But the author of those letters is dead....

The murder of women priests in the shrine town of Walsingham sucks Dr. Ruth Galloway into an unholy investigation. Ruth's friend, Cathbad, is housesitting in Walsingham, a Norfolk village famous as a centre for pilgrimages to the Virgin Mary. One night, Cathbad sees a strange vision in the graveyard beside the cottage: a young woman dressed in blue.

Everything has changed for Dr Ruth Galloway. She has a new job, home and partner and is no longer North Norfolk police's resident forensic archaeologist. That is, until convicted murderer Amyas March offers to make DCI Nelson a deal. Nelson was always sure that March killed more women than he was charged with. Now March confirms this and offers to show Nelson where the other bodies are buried - but only if Ruth will do the digging.   

Ruth is in London clearing out her mother's belongings when she makes a surprising discovery: a photograph of her Norfolk cottage taken before Ruth lived there. Her mother always hated the cottage, so why does she have a picture of the place? The only clue is written on the back of the photo: dawn, 1963. Ruth returns to Norfolk determined to solve the mystery, but then COVID rears its ugly head. Ruth and her daughter are locked down in their cottage, attempting to continue with work and home-schooling. 

Brighton, 1950: When the body of a girl is found, cut into three, Detective Inspector Edgar Stephens is reminded of a magic trick: the Zig Zag Girl. The inventor of the trick, Max Mephisto, is an old friend of Edgar's. When the dead girl turns out to be known to him, Max decides to help Edgar investigate.

Andy and Laura are good parents. They tell their son, Connor, that he can go out with friends to celebrate completing his exams, but he must be home by midnight. When Connor misses his curfew, it sets off a series of events that will change the lives of five families forever. Because five teenagers went into the woods that night, but only four came out. And telling the truth might mean losing everything.

The death of a 90-year-old woman with a heart condition should absolutely not be suspicious. DS Harbinder Kaur certainly sees nothing to concern her in carer Natalka's account of Peggy Smith's death. But then Natalka reveals that Peggy lied about her heart condition and that she had been sure someone was following her.... 

Clare Cassidy is no stranger to murder. As a literature teacher specialising in the Gothic writer R. M. Holland, she teaches a short course on it every year. Then Clare's life and work collide tragically when one of her colleagues is found dead, a line from an R. M. Holland story by her body. The investigating police detective is convinced the writer's works somehow hold the key to the case.s....